Yufa

Gilbert, who argues that “the mistakes we make when we try to imagine our personal futures are also lawful, regular, and systematic,” explores the sometimes subtle, sometimes radical changes we can make in our everyday cognitive strategies in order to avoid ending up unhappy and disappointed by unlearning because we set goals for the people we are... See more

A century after Virginia Woolf was staggered in her garden into her timelessly stunning insight that “behind the cotton wool is hidden a pattern… the whole world is a work of art… there is no Shakespeare… no Beethoven… no God; we are the words; we are the music; we are the thing itself” — Hodges considers the elemental truth pulsating beneath our... See more

In this respect, forgiveness is the exact opposite of vengeance, which acts in the form of re-acting against an original trespassing, whereby far from putting an end to the consequences of the first misdeed, everybody remains bound to the process, permitting the chain reaction contained in every action to take its unhindered course. In contrast to... See more

Form, in music, is inherently temporal. It gives some shape to time, or at least designates the pace and manner at which we move through a particular piece. Where do we fare forward or cycle back; which moments expand, and which contract? Likewise, memory — that most universal and yet individual of temporal structures — lends form and shape to... See more

Thus our strange relationship with the pain of grief. In the early days, we wish only for it to end; later on, we fear that it will. And when it finally does begin to ease, it also does not, because, at first, feeling better can feel like loss, too.

Be like a headland: the waves beat against it continuously, but it stands fast and around it the boiling water dies down. “It’s my rotten luck that this has happened to me.” On the contrary, “It’s my good luck that, although this has happened to me, I still feel no distress, since I’m unbruised by the present and unconcerned about the future.” What... See more

An interview petrifies us in time, then lives on forever, the thoughts of bygone selves quoted back to us across the eons of our personal evolution — a strange and discomposing taxidermy diorama of life that is no longer living.

In this ninth and final installment of the animated Universe in Verse, legendary cellist and Silkroad founder Yo-Yo Ma — one of the most boundlessly curious and wonder-smitten minds I know, who knew Feynman and shares with him a passionate appreciation of science as the native poetry of reality — brings this prose-poem to life in a soulful,... See more