VLUSSER

Creators who make money based on their image production skills are constantly hunting for new references. Their work is paid for and incorporated into the cultural field of images by means of fashion logic described earlier. This creates perverse incentives for everyone to follow the same people, so as not to miss out on what other people are... See more

I also dream of a new kind of narrator―a “fourth -person” one, who is not merely a grammatical construct of course, but who manages to encompass the perspective of each of the characters, as well as having the capacity to step beyond the horizon of each of them, who sees more and has a wider view, and who is able to ignore time. Oh yes, I think... See more

This artistic practice instills a belief in the canvas, enabling the viewer to contemplate that what unfolds within it could indeed exist in reality, or at the very least, in a realm of imaginative reality.

For instance, universal asynchronous accessibility and low distribution cost means that an aesthetic can never die. Somewhere right now, someone is discovering vaporwave for the first time, and can contribute to its longevity by participating in a lively subreddit. This is why at any given time someone is willing to tell you that the 70s are coming... See more

But I find it equally important to make constant reference to myth and to the entire human imaginarium. Returning to the compact structures of mythology could bring a sense of stability within the lack of specificity in which we are living nowadays. I believe that myths are the building material for our psyche, and we cannot possibly ignore them... See more

In my perspective, a rather subtle way to define the artistic style of Neosurrealism is by evoking a sense of remarkable visual impact.