Vinish Garg
@vinishgarg
An independent consult working on the intersection of products, UX, and content leadership, with specific interest in designing for systems—system thinking, urban design, and civic tech.
Vinish Garg
vinishgarg.com
CORA: Conversion -> Onboarding -> Retention -> Advocacy
The four primary levers of product success.
In the last few months, I spoke with many folks in content and design who work in senior positions either in corporations, or growing startups, and some of them work as an IC. I could not find a single practitioner who said that they made a fairly
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what if public libraries were open late every night and we could engage in public life there instead of having to choose between drinking at the bar and domestic isolation
erin glasstwitter.com
Supporting content compliance using Generative AI—Content compliance has been a vexing issue in content operations, and its criticality keeps growing. Developments in Generative AI suggest ways to improve the process.
It makes me think—we, the people
Time Capsule could be used to capture the way people feel about a neighbourhood, a museum, or a town centre for example, or it could be adapted to express their personal change using LIFE questions. Participants are invited to select word cards from a collection to represent the way they feel at the start and again at the end of a project to reveal if their feelings have changed.
Download it here: https://happymuseum.gn.apc.org/wp-content/uploads/2016/03/HM_6_Time_Capsule_Feb2016.pdf
How changing the metaphors we use can change the way we think | Aeon Essays
Benjamin Santos Gentaaeon.co
Patient data ownership: who owns your health:
The lifecycle of the digital imagery data in hospitals, and who owns it after the patient journey is over? Do they delete it after N number of months/years? Do they inform the patients of their family or loved ones? Who owns the patient data?
For example, the Royal Free Hospital in Hampstead, London,
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It makes me think—we, the people
The author talks about the structure and the energy—and how everything is about our internal and external structures. This is why I feel that the practice of designing digital experiences should intersect with our spatial world—how we move and navigate in our physical world, for the structure, for aesthetics, and for the sense-making.