But your taste, the thing that got you into the game, is still killer. And your taste is good enough that you can tell that what you're making is kind of a disappointment to you. A lot of people never get past that phase. They quit.
This is why websites are so important. They allow the author to create not only works (the “objects”) but also the world (the rooms, the arrangement of rooms, the architecture!). Ideally, the two would inform each other in a virtuous, self-perfecting loop. This can be incredibly nurturing to an artist’s practice.
I've also called these multi-media canvases because I think there are two dimensions going on. So one is the canvas-ness, which is at least two, sometimes three dimensions, and the freedom and flexibility to place content items wherever you want — like you were saying, with relative independence. The second axis is multimedia. So which types of... See more
Every area you don’t given a damn about you probably should read at least one book in. Because the very best book in that area is superb, and you’re not going to know what it is. So if tennis is something you don’t know anything about, well, read Andre Agassi’s memoir. That’s a wonderful book. You don’t have to know about or care about tennis. And... See more
We love our physical books — a kind of machine — in ways few others love their machines, their software. We have relationships with these simple, hand-powered contraptions that can span decades. And so of course we want our experience with a book — digital or otherwise — to feel not only great but trustworthy. Print has had hundreds of years to... See more
Book is a sequence of spreadsIn a paper book, a unit of meaning is a spread, and it is absolutely irreplaceable. A spread is a specific place that you can easily remember, find and refer to in a conversation: “read the page about the Museum.”