Technology is not neutral. These tools, processes and systems favour some paths and necessarily disfavour others. The technology-maker decides what to value and endorse, helping to perpetuate some moral slant or system. Even if two technologies have the same ends, differing paths can generate divergent consequences — Facebook and Instagram might... See more
Chatting with @camwiese today about his New World's Fair (which hopes to paint an optimistic, definite vision of the future), I noticed how these projects so often turn to *retro*futurism in art direction. What would a now-rooted, forward-facing hopepunk aesthetic look like?
I’ve been fascinated with how the Internet can be used to form beautiful ephemeral moments of connection with the most unexpected kinds of people. This doc outlines an inquiry into how we create the conditions for those moments, how to cultivate and sustainably grow the intimate tiny internets we explore that protect us from the wide, scary,... See more
The most overlooked sensation in product design may be haptics—the physical vibrations you feel. While sounds are easily thwarted by the mute switch, haptics can play in any environment. It’s like sound for touch. And just like sound, haptics can be designed.
I’ve come to think of the networks and infrastructures connected to the phone as active parties in the photographic process. I take pictures of the non-computational world and I give them to the phone so it can understand my world better. The phone’s understanding is extractive, not empathic, but it’s the tradeoff I accept in order to store and... See more