Sriya Sridhar
@sris
Academic studying tech law and policy, seeking things that make sense and perpetual calm. Lit and poetry are my first loves
Sriya Sridhar
“You mean to say,” I asked, “that people don’t really want out of the relationship itself, they just want out of the dynamic?” “That’s right,” she said. “They don’t want to go away from the person, necessarily. They want away from the feeling.”
Joshua Wolf Shenk • Powers of Two: Finding the Essence of Innovation in Creative Pairs
"For me, that’s pretty much it: waking up and being excited and curiously restless to face the day ahead, and being very present with that day, and then going to bed feeling like it actually happened, that the day was lived. There’s nothing more than that, really."
Maria Popova • Maria Popova — Cartographer of Meaning in a Digital Age
If you're struggling with negative thoughts, achieving flow is probably the best medicine. Contrary to popular wisdom, forced positive thinking often makes things worse.
LessWrong • How to Be Happy - LessWrong
Objectives are well and good when they are sufficiently modest, but things get a lot more complicated when they’re more ambitious. In fact, objectives actually become obstacles towards more exciting achievements, like those involving discovery, creativity, invention, or innovation—or even achieving true happiness. In other words (and here is the... See more
Joel Lehman • Why Greatness Cannot Be Planned: The Myth of the Objective
one thing I recommend every woman go find for herself is the audacity
Sriya Sridhar | Substack
So that, I think, is the role of information curators: They are our curiosity sherpas, who lead us to things we didn’t know we were interested in until we, well, until we are. Until we pay attention to them — because someone whose taste and opinion we trust points us to them, and we integrate them with our existing pool of resources, and they... See more
Maria Popova • Networked Knowledge and Combinatorial Creativity
At present, we seem to be suffering from a widespread failure of literary imagination. We have become worse at imagining the experiences of other people, less inclined to credit these experiences as being as valid and real as our own. Why is this? In part, I think, because of the methods by, and pace at which, we acquire our stories. After all,... See more