Sriya Sridhar

The most potent vectors of digital harm today are not merely located in what is seen , but in how interaction is engineered —through asymmetries of choice, misaligned incentives, and design architectures optimised for extraction rather than wellbeing.

Yeah, I think taste almost can move in two directions. There is that internal sense of what am I feeling when I experience a work of art? What is happening in my own brain, in my soul when I listen to this music?

And then there’s this external idea of it, which is being super self-conscious about what other people are consuming, how they’re... See more

Something else happens in a world of superabundance, and an attention economy. Because you can’t find what you want, you start to dig yourself into very specific niches, and join sub-groups. Everyone atomizes into millions of groups connected by very specific interests. In more benign ways, it can be great – you find your fellow travelers, and I... See more

I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures.... See more

At present, we seem to be suffering from a widespread failure of literary imagination. We have become worse at imagining the experiences of other people, less inclined to credit these experiences as being as valid and real as our own. Why is this? In part, I think, because of the methods by, and pace at which, we acquire our stories. After all,... See more