SpaceXponential

"I set up situations that involve abandoning control and finding out what happens." And now, in his most improbable guise yet, as artistic director of the 2010 Brighton festival, Eno wants to programme works that demonstrate why surrender is key to the sort of music and art that excite him. "I came to this idea because I noticed that when I set up... See more

What we need most are temporal structures that stabilize life. When everything is short-term, life loses all stability. Stability comes over long stretches of time: faithfulness, bonds, integrity, commitment, promises, trust. These are the social practices that hold a community together. They all have a ritual character. They all require a lot of... See more

... I realized I associate art with gifts. You don’t mark a true gift with a monetary value. You don’t predict the rise and fall of that value. If an art is important to you, you want to hold onto it, instead of trading it with others. And if an art is to initiate a spiritual experience for an audience, it should not involve itself with... See more

What Eno likes about 77 Million Paintings is that he has no idea what will appear on screen, nor what aesthetic effects will be produced. "That's pretty interesting. But what interests me more is the way people experience them. My shows are not narratives. Nothing much happens yet people come and stay for hours in a contemplative state. I thought,... See more

... another reason for the crisis of community, which is a crisis of democracy, is digitalization. Digital communication redirects the flows of communication. Information is spread without forming a public sphere. It is produced in private spaces and distributed to private spaces. The web does not create a public.  This has highly deleterious... See more

Whereas the modern university segregated scholarship from curation, demoting the latter to a secondary, supportive role, and sending curators into exile within museums, archives, and libraries, the Digital Humanities revolution promotes a fundamental reshaping of the research and teaching landscape. It recasts the scholar as curator and the curator... See more

Curation means making arguments through objects as well as words, images, and sounds. It implies a spatialization of the sort of critical and narrative tasks that, while not unfamiliar to historians, are fundamentally different when carried out in space—physical, virtual, or both—rather than in language alone. It means becoming engaged in... See more