SpaceXponential

Bits of information provide neither meaning nor orientation. They do not congeal into a narrative. They are purely additive. From a certain point onwards, they no longer inform — they deform. They can even darken the world. This puts them in opposition to truth. Truth illuminates the world, while information lives off the attraction of surprise,... See more

Whereas the modern university segregated scholarship from curation, demoting the latter to a secondary, supportive role, and sending curators into exile within museums, archives, and libraries, the Digital Humanities revolution promotes a fundamental reshaping of the research and teaching landscape. It recasts the scholar as curator and the curator... See more

In the 20th century, America built the most capable knowledge-producing institutions in human history. In the past decade, they got stupider en masse.  In his book The Constitution of Knowledge, Jonathan Rauch describes the historical breakthrough in which Western societies developed an “epistemic operating system”—that is, a set of institutions... See more

... another reason for the crisis of community, which is a crisis of democracy, is digitalization. Digital communication redirects the flows of communication. Information is spread without forming a public sphere. It is produced in private spaces and distributed to private spaces. The web does not create a public.  This has highly deleterious... See more

It’s important that people—actual individuals—are doing the work for themselves to decide how exactly they want to group information together, because it’s this exercise that hones a person’s unique intuition. It’s personal intuition that gives a piece of information a unique shape to live in, and it's the many connected shapes that make Are.na

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We are at the start of the third, biggest trust revolution in the history of humankind. A trust shift does not mean that the previous forms will completely be superseded, only that the new form will become more dominant. The first phase was local trust, where it was based on one-to-one interactions and personal reputation. Next came institutional... See more

There are a lot of benefits to being good at that narration. Describe your “calling” convincingly and you've defined a new game that others want to watch and play. But it’s a catch-22: if you spend all your time constantly sketching (probably quickly outdated) pictures of your thinking on the bigger questions we’ve all been tasked with answering,... See more

"I set up situations that involve abandoning control and finding out what happens." And now, in his most improbable guise yet, as artistic director of the 2010 Brighton festival, Eno wants to programme works that demonstrate why surrender is key to the sort of music and art that excite him. "I came to this idea because I noticed that when I set up... See more