Sixian

Some of them we have named for, you just named a few ‘good’, ‘accountable’, ‘evil’, you know, turning away, a bypass, and in naming and in inhabiting and in performing those neural architectures, we place-make the world. We terraform the world as we are terraformed ourselves, as we learn to acculturate ourselves to the psychic demands of these... See more

I’m not exactly sure how we balance the realities of the world today with a working life that asks so much of us. But I do know leaning all the way out isn’t the answer. I hope we find the right way through it, together.

Suspended in the Long Now, we are paralysed between an overhanging past and the supposedly limitless opportunities before us. We are preoccupied with surviving today, while disappointment and crushed “prospects” abound, inhibiting our ability to dream beyond tomorrow.

From a cultural perspective, Fisher contrasts the cultural energy of the 20th century with the languors of the 21st: While 20th century experimental culture was seized by a recombinatorial delirium, which made it feel as if newness was infinitely available, the 21st century is oppressed by a crushing sense of finitude and exhaustion. It doesn’t... See more

It's all dependent on human context. This is what we're starting to see with del.icio.us, with Flickr, with systems that are allowing for and aggregating tags. The signal benefit of these systems is that they don't recreate the structured, hierarchical categorization so often forced onto us by our physical systems. Instead, we're dealing with a... See more

One is it was trying to solve a consumer problem with the industry and then two, is technology was enabling this digital consumption of music and the industry just was not forward on that. iTunes was a reaction, if you will, to the ripping services, whereas you could have argued actually it should have been what drove the consumer to the digital... See more

This context of touch and mediation between bodies and persons in the fulfillment of social encounters had become invisible in conventions like handshakes, which today seem inappropriate. If before touch was not seen as something that needed to be so deliberately calibrated, that is no longer the case. The touch-fulness of these touchless... See more

The curators asked if ‘a sharp object could be an erotic object – or a square object or something that is not round, or that does not have a smooth texture?’ It seemed that the answer was generally no: curves were essential.