Sixian

From a cultural perspective, Fisher contrasts the cultural energy of the 20th century with the languors of the 21st: While 20th century experimental culture was seized by a recombinatorial delirium, which made it feel as if newness was infinitely available, the 21st century is oppressed by a crushing sense of finitude and exhaustion. It doesn’t... See more

The practice of assembling conflicts with most of the terminology we have in place for responsive design. Our words make it seem that we’re designing how elements break down, but really, we should be focusing on how they build up.

Desire always needs something to latch onto; it can’t stay free-floating. In this sense, it operates like a bivalve that has to be attached to a substrate (a rock, or some other surface). As soon as it becomes detached from one thing, it immediately attaches itself to something else: another model.

The web also needs diligent people so that the idea of what the web is and what it does remains legible to everyone. This applies to being able to read the systems and social environments the web creates so we know what’s real and what’s not, but the call for legibility should also humbly apply to writing legible code and designs systems that are... See more

Anyway, the point is: the hero’s journey and carrier bag are both about narrative models rather than gendered modes of storytelling, and the rise of the novel was a fall of the hero (whether male or female) from epic demigod figure to boy-with-toy. Or girl-with-toy as the case may be.

1000 True Fans >>> 1 True Fan (The Story Of The $25k NFT) Here’s another change in the scaling factor. There are new types of products that creators can offer that allow you to scale yourself in completely new ways, and allow you to price discriminate among your audience as well so that you don’t need to just scale your reach and reach more... See more

Not only is any sufficiently advanced technology indistinguishable from magic; any sufficiently advanced technologist seems like a magician. In order to write the new version of this life description, I need to imagine a version of myself who, by definition, I cannot understand. If I understood her she wouldn’t be magical.

Thus, “the moments of sensual pleasure in the idea, the voice, the instrument are made into fetishes and torn away from any functions which could give them meaning.”They exemplify what media theorist David Cecchetto, building on the work of John Durham Peters, calls “incommunication”: the process by which the impossibility of true communication... See more