Sixian

From a cultural perspective, Fisher contrasts the cultural energy of the 20th century with the languors of the 21st: While 20th century experimental culture was seized by a recombinatorial delirium, which made it feel as if newness was infinitely available, the 21st century is oppressed by a crushing sense of finitude and exhaustion. It doesn’t... See more

The cataloguers first reaction to that is, "Oh my god, that means you won't be introducing the movies people to the cinema people!" To which the obvious answer is "Good. The movie people don't want to hang out with the cinema people." Those terms actually encode different things, and the assertion that restricting vocabularies improves signal... See more

Data is not inherently valuable. Most data doesn’t produce a real data network effect, and most data network effects aren’t that powerful even once established. Consider the idea that your data strategy, in terms of value creation, is overrated. It can be powerful, but it’s typically not.

We’re building edgeless environments of divergency. Things are added in chaos, then if successful, they expanded further and further out until they collapse and rearrange. This is probably why responsive design feels so relevant, maddening, and divisive: its patterns mimic the larger patterns of technology itself.

The conflict between old and new media is in many ways a dispute over who gets to control the “clocks” we live by; who gets to set the pace; who gets access to the technologies that make it easy to synchronize (or de-synchronize) large groups people.Clocks may seem innocuous, but they’re never ideologically neutral. Timekeeping doesn’t just happen.

Because I'm going to have the hottest new songs. The problem is the consumer wants more than that. They want the old stuff to. So all of a sudden the power in that relationship moves from the distributor who can create new content and also has the consumer relationship to who owns the IP that the consumer wants, the IP that consumer wants a lot of... See more