Sixian

But the most famous familiar one is the story where things fall apart, and how this culturally stable setting with your coherence and just the attempt of the protagonist trying to live true to those moral demands on his person creates trouble, which tells me, and I think, to any other reader, that the world is imbued with irony and paradox and... See more

I think what’s more interesting about Web 3 and the angle that I would love to explore more is, in so far as it serves as a vector for allowing platform participants to become the owners of the platforms themselves.

We’re building edgeless environments of divergency. Things are added in chaos, then if successful, they expanded further and further out until they collapse and rearrange. This is probably why responsive design feels so relevant, maddening, and divisive: its patterns mimic the larger patterns of technology itself.

When Peter Thiel says that he sees a Cargo Cult-like phenomenon play out in startups, he is referring to this kind of metaphysical desire.

Transparency and data provide ruthless meritocracy.

Anyway, the point is: the hero’s journey and carrier bag are both about narrative models rather than gendered modes of storytelling, and the rise of the novel was a fall of the hero (whether male or female) from epic demigod figure to boy-with-toy. Or girl-with-toy as the case may be.

More than raw distribution though, exposing your style and sensibility is important. Not just for standing out in the networks and generating dialogue and discussion - but also because senior, ambiguous consulting work relies on navigating a trust gap like no other.

How strong opinions create the kind of trust and visibility required for senior, ambiguous work.

Girard taught that all desire is fundamentally a desire for being. In other words, all desire is metaphysical—it seeks a kind of inner transformation, a transfiguration of identity, which we desperately seek but even more desperately deny.