Sixian

We live and listen, he writes, “in the afterlife of data,” no longer believing in the communicative precision that the digital promised us, but continuing to live as though we do: “Nobody knows what a ’97 percent match’ in the context of a dating app really means — and no reasonable person would take that ranking as indicating that a successful... See more

We’re building edgeless environments of divergency. Things are added in chaos, then if successful, they expanded further and further out until they collapse and rearrange. This is probably why responsive design feels so relevant, maddening, and divisive: its patterns mimic the larger patterns of technology itself.

How could any self-aware person who works in technology not start to organize their disappointment? It’s gotten to where several of my peers are floating half-hearted speculations about their next careers. This isn’t good: you want the talented and mindful people to stick around, not get husked out, then leave frustrated, exhausted, and conflicted.

Data Isn’t Always Valuable

Illegibility comes from complexity without clarity. I believe that the legibility of the source is one of the most important properties of the web. It’s the main thing that keeps the door open to independent, unmediated contributions to the network. If you can write markup, you don’t need Medium or Twitter or Instagram (though they’re nice to... See more

You can physically outlive the period in which explaining things in this way makes sense.

Right now, I believe new DAO contributors need a high friction tolerance, or a willingness to work through confusing and difficult steps, to complete the DAO discovery phase.

Artworks don’t manage knowledge—they channel it. It takes time and attention to understand an artwork’s meaning. Each piece demands a process of reconciliation, and a merging of two contexts: the artwork’s own history and the viewer’s private knowledge network. When it’s placed in a new context, its meaning evolves and expands elastically. It... See more

Stories are entrusted to storytellers by the elders. But these storytellers are not meant to repeat the narrative verbatim; they are expected to understand these stories and, through them, reflect on what the community needs to hear at any given moment. This temporal gathering, both in and around a story, acknowledges the personal subjectivities... See more