Sixian

There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record.

So let's use video because I just think it's a great example. If you think about music and how you consume music, you actually consume catalog product a lot. I certainly do. And I think most consumers do. Songs that I've listened to once, I will listen to again and again, and again, at some point. With video, that's less the case. Once I watch... See more

How, when each of us is forbidden to touch, can a renewed sense of our biopolitical entanglement emerge? It may come through a recognition that societal care is not only a personal, face-to-face, and skin-to-skin experience, but something that also happens at a distance, through impersonal systems upon which each of us relies. These too are social... See more

Becoming 'multi-temporal', rather than multi-cultural: it used to be a very big problem for historians that they supposedly could not divide themselves from the outlooks and interests of their own age. I think we are approaching a situation where the outlooks and interests of our own age make very little sense. They just don't bind us to anything... See more

What’s striking … is the apparent shift from a politics of reason to a politics of experience… In the eyes of many, personal experience has become the new way of being at home in the world. It’s like the bubble that holds the foam at a distance. Experience nowadays trumps reason… We’re led to believe that sensibility, emotions, affect, sentiments... See more

unlike specializing, developing opinions, crafting a point of view and building a vibe is an iterative, generative process - once you start trying out your voice there’s a feedback loop that helps you develop your voice and strengthen your point of view.

It’s curious to want to call an advert ‘objectifying’, because of course it is: its function is to promote an object. Yet this nonetheless feels like the right word, not only in reference to the object of the ad’s intentions, but the kind of gaze that is filming it. The camera, the eye, is fixated on the phone’s ‘thing-ness’: not what it can do,... See more