Sixian

This is true of everything in the garden. Each flower, tree, and vine is seen in relation to the whole by the gardener so that the visitors can have unique yet coherent experiences as they find their own paths through the garden. We create the garden as a sort of experience generator, capable of infinite expression and meaning.

Tools break and containers change, but the urge to tell stories remains. Containers and content can be used to mutually inform the shape of their counterparts, expressing a tender, anti-heroic, communal, and present side of storytelling in place of our received understanding of historical material as heroic, individual, disconnected, and past. As... See more

You can physically outlive the period in which explaining things in this way makes sense.

Developing a point of view is a long journey, and it’s not easy. But it’s a more forgiving path than specializing.

God games — made specifically to be abstract, simplified, and ambiguous — invite this sort of loss as a kind of mastery.

Illegibility comes from complexity without clarity. I believe that the legibility of the source is one of the most important properties of the web. It’s the main thing that keeps the door open to independent, unmediated contributions to the network. If you can write markup, you don’t need Medium or Twitter or Instagram (though they’re nice to... See more

For Sharma, the discourse of speed that accompanies characterizations of contemporary non-stop 24-hour life only masks the ways that achieving “the perfect calibration” to an ideal temporality is an unattainable goal; and how “slowness” is a luxury that can necessarily only be enjoyed by some under capitalism.

But moral stabilities are also indebted to larger territorial flows. So even the concept of good and accountability and evil is also indebted to other things, the river, the libidinal flows, and the archetypal algorithms that make us are constantly migrating, and in those moments good could become incarcerating.

Brown also built upon Audre Lorde’s “The Master’s Tools Will Never Dismantle the Master’s House” (1984), declaring, “I believe conversation is not a master’s tool. I believe being in a circle, in a community, is not a master’s tool.” Here, she describes gathering people to share stories as a web, a network, as a finding aid for like-minded voices.