Sixian

Most people's soundtrack of their lives, as the industry talks, it is created from the late teens to the mid to late twenties. That's what you listen to your whole life for the most part, and your discovery goes down pretty quickly after that...

Artworks don’t manage knowledge—they channel it. It takes time and attention to understand an artwork’s meaning. Each piece demands a process of reconciliation, and a merging of two contexts: the artwork’s own history and the viewer’s private knowledge network. When it’s placed in a new context, its meaning evolves and expands elastically. It... See more

Because I'm going to have the hottest new songs. The problem is the consumer wants more than that. They want the old stuff to. So all of a sudden the power in that relationship moves from the distributor who can create new content and also has the consumer relationship to who owns the IP that the consumer wants, the IP that consumer wants a lot of... See more

From the author of Oval, a collection of “fan nonfiction” that proposes new possibilities and genealogies for weird fiction in the age of extinction.

This collection is about love, death, plants, and weird fiction. It takes its title from a Margaret Atwood story in which an adolescent girl seems to turn into a tree. It examines works by Doris... See more

This gives me a satisfying understanding of boat theory as applied to blogging: a blog is a public in a boat, sailing the zeitgeist seas, primarily fishing for sustenance, but not entirely averse to the memetic winds blowing you off to strange and distance places, where you can have premium mediocre intellectual adventures.

The value of objects is not objective—it’s subjective. And that subjective value is determined mimetically, based on our relationships with others. We could say that value is intersubjective: we assign value to things (and therefore desire them) according to what other people want.

You could say that our current technological arrangement has spread out too far, and it is starting to look and feel wrong. Fortunately, we can treat this over-expansion just like everything else I’ve mentioned. We can draw a line, and create a point of reassembly for what we’ve made. We can think about how to shift, move, and resize the pieces so... See more

But at the grand narrative level, everybody is getting off the big turnpike, and there is not going to be a grand narrative slipstream for a while. But smaller scale narrative slipstreams — from family to city-scale — may still be viable.