Sixian

Great positioning, if you can pull it off, can lead to ambiguous work.

We’re building edgeless environments of divergency. Things are added in chaos, then if successful, they expanded further and further out until they collapse and rearrange. This is probably why responsive design feels so relevant, maddening, and divisive: its patterns mimic the larger patterns of technology itself.

In the digital age, everything from the evening news to the 9 – 5 workday has been freed from the cage of industrial era timekeeping. As long as you have an internet connection, you can march to the beat of your own second hand.

We are in a period which I think is dominated by two great cultural signifiers. An analog system that belonged to our parents, which has been shot full of holes. It is the symbol of the ruined castle. "Gothic High-Tech." The ruins of the unsustainable. And the other symbol is the favela slum, "Favela Chic," the informalized, illegalized, heavily... See more

Speaking to BBC Radio 4 in January 2020, Gibson attributes this loss of interest in the future to a loss of belief in it. Too burnt (out) by disappointment from both what is and what could be (which when given brief thought only appears to be no better than dealing with today), our lack of imagination (our lack of image-making, of boundary-drawing,... See more

If the hero’s journey is descended from the campfire brag, and the carrier bag novel from workplace gossip, blogging is descended from trolling.

If the container is what allows things to move from land to sea to land, and the pallet is what allows products to be moved from warehouses to containers to trucks to distribution centers, then stretch wrap is what allows diverse products to be bundled together and made anew as palletized cargo.