Severin Matusek

Contemporary art exists to render the invisible. And the dominant structures and boundaries that guide our agency, constructed by the most powerful economic forces in history, are incredibly important invisible structures to render. An art game helps us to think about how we express our agency.

In its most popular use, worldbuilding refers to a practice derived from fantasy or science fiction, where systems, characters, and mechanics assemble to satisfy the expectation that a fictional world should be convincing and complete. More broadly, it should be stated, worldbuilding is simply part of writing fiction: Sally Rooney does... See more

All these points in AI’s favor prompt some nervous reappraisals. Essays that began in bafflement or dismay wind up convinced that the technology marks an epochal shift in reading and writing.

There was, however, an alternative theory. The internet was not primarily a channel for the transmission of information in the form of evidence. It was better described as a channel for the transmission of culture in the form of memes. Users didn’t field a lot of facts and then assemble them into a world view; they fielded a world view and used it... See more

Oupi Goupi is shared by many, from film theorists who drew parallels between Lakaka’s work and that of Godard to cartophilists who are collecting newly produced Goupiland Pokémon-coded cards.

If everyone can cheat their way to mastery, wealth, or beauty, they will see it as a giant permission slip to create new ways of finding meaning.

Put plainly, for Europe to succeed in realizing its most impactful contributions to the planetary computational stack, it must stop talking itself out of advancement and instead cultivate a new philosophy of computation that invents the concepts needed to compose the world, not just deconstruct it or preserve it like a relic.