Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.
“How do you take the avant garde and put it into the mainstream?” says Clark of ISOLARII’s goals. “It’s about these little niches and pockets of resistance from around the world. But it's also about trying to get into mass pop culture.”
As a more right-leaning crowd of tech elite and terminally online Gen-Z founders emerged, they turned against politics in the workplace and globalism. Sharing technology globally had put Silicon Valley’s tech leadership at risk of being overtaken by China, some said.