If Silicon Valley’s Web 2.0 era was defined by founders playing God on their computers by creating social networks and other services, the new era is about founders angling to create ‘superintelligent’ computers that may one day surpass humans and become a kind of ‘God’ in the machine.
To try to “tell the news” as it needs to be told: poetically. From project to project, to swing between extremes, the soberingly real and the wildly imaginative – something I think our generation does with great skill.
But what we’re not talking about, what we’re not worrying about nearly enough, is the other side of the coin. If we’re running at speed at this, if we’re pushing everyone to use AI because we think it’s some sort of panacea to every business challenge we have, what about atrophy? What about the erosion of expertise, of knowledge, of critical... See more
Any study of worldbuilding would be remiss without mention of Biosphere 2, the experimental facility constructed in Arizona for studying the feasibility of life in a manmade ecosystem. In 1994, Abigail Alling and Mark Van Thillo broke into the complex – or rather, attempted a break-out, and in the process brought the years-long experiment to an... See more
Music curation: we are developing tools & workflows to identify the best ways for the community to give meaningful input into the curation processes for COLORS shows.
The word for world is forest1. The word for world is mother2. The world is made, and remade, through ‘worlding,’3 ‘worldmaking,’4 or ‘worldbuilding’5. The world is rendered by empire, destroyed, and remade forever after. The world is a model, a simulation, an ‘infinite game’ that is open all the way up to its borders. The world is autonomous and... See more
“I work with celebrity mostly, and at times what’s happening is that the Max kind of people are more expensive than the celebrity because they’re moving units in a different way,” says creative consultant Chrissie Miller, a client and friend. “They just have an audience that is ready to buy.”