Severin Matusek

I believe artists have more helpful things to say than the money guys about how to use and creatively misuse technology.

Crawford’s concluding remark on this panel was that Europe has a clear choice when it comes to AI: to passively acquiesce to American techbro hegemony or to actively refuse AI. As she put it bluntly, accept or fight!

In 2021, Ethiopia actually began building its own social media site as a response to Facebook’s alleged incitement of ethnic massacres. And more recently, Japan funnelled taxpayer money into the dating app Tapple, in a bid to fix the nation’s declining marriage and birth rates.

The structural focus of ‘hard’ and ‘soft’ science fiction alike – science fiction that accounts for scientific accuracy and logic in the first instance, and for social or political systems in the second – is more easily translated to policy or innovation than any other genre of media. It provides a ready-made framework that runs all the way from... See more

It used to feel really chaotic to me. I used to be like, how do we make sense of all this stuff? There's so much stuff. There's so many different moods, tones, attitudes, no cohesive narrative. But then once you get enough distance and look in the rearview you realize: that's a body of work.

My main concern is both the loss of authenticity, but also technological dependency, like relying on AI too might reduce an artist’s creativity. Think of the TikTok effect, or using Chat GPT too much. These systems are so easy and useful, but you do end up using your brain less at the end of the day.

And AI’s semivisible, infrastructural role in exploiting precarious labor (Uber’s nifty algorithm for suppressing driver wages), landlordism (RealPage’s widely used rent-hiking software), and neocolonial war (Israel’s high-tech civilian-bombing gadgetry) may already be too entrenched to stop. But professional readers and writers: We retain some... See more