Severin Matusek

Crawford’s concluding remark on this panel was that Europe has a clear choice when it comes to AI: to passively acquiesce to American techbro hegemony or to actively refuse AI. As she put it bluntly, accept or fight!

For creative people this hits especially hard as social media’s invention of “personal brands,” “influencers,” and the “Creator Economy” turned the few remaining aspects of life that hadn’t yet been marketized into the last ways we could make a living without working for somebody else. Gradually and then suddenly creative people found themselves... See more

brands like Rare Beauty and Poppi reward subscribers with early launches and discounts, while using their communities to gauge new ideas, get feedback and build loyalty. Loyalty driven by sincere participation compounds, creating brand evangelists whose influence can’t be bought.

AE: Reflecting back on the past year, one project that stands out for me is Mitchell F. Chan’s The Boys of Summer (2023) because I’m interested in how we are all folded into gamified networks. Which works or exhibitions have resonated the most with you over that time? ‍

People really desire community, so I’m trying to build a whole community around The Slowdown. In 2023, we celebrated our five-year anniversary and threw this big dinner at Eleven Madison Park, inviting more than 25 former Time Sensitive guests.