Severin Matusek

Unfortunately, advertising has been ingrained into the internet as the basic model for so long and to such an extent that it’s hard to envision online life without the systematic manipulation of attention and all its evils. So we’re bound to wind up here, at the bitter end of “content.” Which is a good excuse to withdraw deeper into books, movies,... See more

But what we’re not talking about, what we’re not worrying about nearly enough, is the other side of the coin. If we’re running at speed at this, if we’re pushing everyone to use AI because we think it’s some sort of panacea to every business challenge we have, what about atrophy? What about the erosion of expertise, of knowledge, of critical... See more

Contemporary art exists to render the invisible. And the dominant structures and boundaries that guide our agency, constructed by the most powerful economic forces in history, are incredibly important invisible structures to render. An art game helps us to think about how we express our agency.

What we’re seeing isn’t just a media trend. It’s a shift in the architecture of power. Attention → Speculation → Allocation. This is the new supply chain.

Local communities: we are connecting local communities, so that they can showcase their scenes and artists to the wider COLORS community around the globe.

In this podcast Michael Pollan expands on his understanding of "spirituality" as a universal feeling of connectedness.

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.