A literature which is made by machines, which are owned by corporations, which are run by sociopaths, can only be a “stereotype”—a simplification, a facsimile, an insult, a fake—of real literature. It should be smashed, and can.
There’s no reason to believe that this type of caution will pay off. The supposed sure shot of IP is currently misfiring: in 2023, Disney’s The Marvels fell more than $64 million short of breaking even, and its Indiana Jones sequel drastically underperformed. The Flash, for Warner Bros. Discovery, lost millions, and the company’s Shazam! Fury of... See more
This is Vibe Theory: an expression of elite anxiety masquerading as a politics of resistance. It is also exemplary of what the tragic ur-European philosopher Walter Benjamin once called the “aestheticization of politics,” which in this case is the result of the odd incentives that ensue when the art world makes the invitations, pays the speaker... See more
According to a draft of an unpublished Substack post, his newest plan is to promote Urbit as an élite private club whose members, he believes, are destined to become “the stars of the new public sphere—a new Usenet, a new digital Athens built to last forever.”
Maybe there isn’t much we can do about legislation or swaying big tech shareholder decisions, but there’s a lot of fun to be had on the feed. The feed is not safe, but posting has not been taken away from us yet.