Severin Matusek

To me, it’s very important to think about speculative fiction and worldmaking as two approaches for better orienting ourselves to the present, rather than conjuring escapist utopian futures that will never arrive.

AE: Reflecting back on the past year, one project that stands out for me is Mitchell F. Chan’s The Boys of Summer (2023) because I’m interested in how we are all folded into gamified networks. Which works or exhibitions have resonated the most with you over that time? ‍

3. The increasing importance of online identity, and the rise of “nicheworks.’’ As online identity becomes increasingly important and consumers are more bought in than ever to their online identities and communities, curation has emerged as a form of self-expression that sits in between consumption and creation, reports Brian Solis for Fast Company... See more

“The hunger for something shared is going to increase,” writes Stratechery’s Ben Thompson about the solipsism of the AI era.

Digital networks have become the dominant cultural logic, profoundly transforming not only culture but also the economy, public sphere, and even people’s subjectivity. In contrast to digital culture, network culture makes information less the outcome of discrete processing units and more of the result of the networked relations between them, of con... See more

Proud to have 3FACE enter the @MuseumModernArt collection. And grateful to @outland_art for setting the stage and bridging worlds. It’s never simple nor routine for an institution to collect dynamic art - i.e. art that changes state. But it is this quality of... See more

Enjoying a newfound creative energy by approaching my output in a "New Media" spirit:

- Breaking platform and category boundaries

- Inviting the public to interact

- Designing limited edition experiences

More interesting, more fulfilling, and more fun