Severin Matusek

Creative work by inspiration is seen as unpaid and without value. Creative work for commercial purposes is worth compensation if it meets the brief. Institutions remain the primary mediators of payment, whether they're museums, corporations, or technology platforms.

Over the past 13 years, Swift has perfected the pop culture feedback loop: Sheshares updates about her life and drops hints about new music, which fans thengobble up and re-promote with their own theories, which Swift then re-shares on herTumblr or incorporates into future clues. [...] "I've trained them to be that way," shesays of her fans' astute... See more

In fact, I’d like to propose something that sounds almost heretical in certain artistic circles: Prompt engineering, the act of crafting input to coax a desired output from an AI, may soon be regarded as a legitimate artistic medium. In the same way photography became an expressive form in its own right, so too might the process of collaborating... See more

Influencer culture, self-enhancement medicine, cheatware, min/maxing... the signs were coming for a while, but now we have legit, permanent systems at the heart of everyday life that force the decoupling on all of us.

First I’d argue that the digital world and the physical world are already deeply interconnected and getting more so everyday. The internet is a global brain that increasingly orchestrates the global body. One of the myths around Jetsons-like robots is that automation happens visibly, with a 1:1 correspondence between the thing replaced and the... See more

The debate over “is it real or fake” is somewhat ironic, because so much of what we experience as reality even within our own bodies is actually simulation.