This point of view – which troubles the official narrative being rolled out by AI companies – is not rare. In his newsletter “How to Survive the Internet” the author and journalist Jamie Bartlett paraphrased a recent conversation he’d had with someone he described as an “AI power user”: “‘So are you producing more stuff per day?’ I ask.... See more
When I first saw this, I thought “Did anyone read this?” That’s always the question when encountering something that you think is god awful. But in the AI era, I found myself asking a follow-up question: “Did anyone write this?”
Web3 is the first time, with the help of great developers like Duncan on our team, an artist can actually build a space that's interoperable on the internet that can handle funds and can handle communities. That's super exciting.
Creative work by inspiration is seen as unpaid and without value. Creative work for commercial purposes is worth compensation if it meets the brief. Institutions remain the primary mediators of payment, whether they're museums, corporations, or technology platforms.
Right now, it’s really easy for us to just constantly say AI will make you better. AI will give you superpowers. AI will do the grunt work in your day-to-day job to free you up for higher-order thinking. We’ve become evangelical about it. In our rush to augment everybody, we’re pushing out Copilot licenses like they’re going out of fashion. We’re... See more
For Water & Music's inaugural collaborative research report, over 40 of our community members across industries, geographies, career stages and skill sets came together to try to make sense of the immense challenges and opportunities that lay ahead for music/Web3's future.
Right now AI is fun parlor trick; it’s closer to personal tool than anything that will be deployed reliably enough to do the kind of economic shifting that its investors are betting it will.
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