Severin Matusek

Military strategy and diplomacy all became subordinate to social media dynamics. But he is moving on as if war is only a weekend thing.

“Don’t die,” says Bryan Johnson, “100 years is not enough.” But death is the only reason attention matters—and by extension, art.

New work: All Media Is Training Data, a catalogue of works by @hollyherndon and @matdryhurst, curated by @eva__jaeger. THREAD: (1/) https://t.co/pVcUqSQ3Ln

AE: Reflecting back on the past year, one project that stands out for me is Mitchell F. Chan’s The Boys of Summer (2023) because I’m interested in how we are all folded into gamified networks. Which works or exhibitions have resonated the most with you over that time? ‍

Consistency and quality are everything.

Optimising the personal well-being of the creator vs the creator listing in the algorithm.Making things that feel like they matter vs something that grabs people’s attention.

Coffee preferences are personal and abundant. The world is big enough for espresso machines and French presses. And which machine the barista uses depends on who they’re serving.

Art preferences are similar. So when I hear talk about how AI is going to replace artists, I think to myself, the world is big enough for both. Or when I see tweets about... See more

Executives, meanwhile, increasingly believed that they’d found their best bet in “IP”: preexisting intellectual property—familiar stories, characters, and products—that could be milled for scripts. As an associate producer of a successful Aughts IP-driven franchise told me, IP is “sort of a hedge.” There’s some knowledge of the consumer’s interest,... See more