Severin Matusek

Looking back five years after the initial Dark Forest essay and pangs of concern, what most stands out is something that those of us who are drawn to Dark Forests have felt longer than most: that the internet is real life. What we do “in here” matters just as much as — and for some of us, problematically, even more than — what happens “out there.”... See more

The creative recession is fueled both by diminishing demand for creative work as well as diminishing the margins that once made that work viable. The distance between creation and consumption has been compressed: discovery is automated, and the legacy hallmark of creatives, producing difference, has been flattened into an infinite scroll of... See more

There was, however, an alternative theory. The internet was not primarily a channel for the transmission of information in the form of evidence. It was better described as a channel for the transmission of culture in the form of memes. Users didn’t field a lot of facts and then assemble them into a world view; they fielded a world view and used it... See more

Peloponnesian War of Robot Overlords

How do projects, headless or not, find product-market fit in the Web 3 era? Well, in some senses they don't. In a highly decentralized system, these operations invert such that the community finds product solutions themselves: "market-product fit."

brands like Rare Beauty and Poppi reward subscribers with early launches and discounts, while using their communities to gauge new ideas, get feedback and build loyalty. Loyalty driven by sincere participation compounds, creating brand evangelists whose influence can’t be bought.