Severin Matusek

Thinking of a project as a label means thinking in “Releases”. Releasing work into the public and letting it go.

In another timeline, Yarvin might have remained an obscure and ineffectual internet crank, a digital de Maistre. Instead, he has become one of America’s most influential illiberal thinkers, an engineer of the intellectual source code for the second Trump Administration. “Yarvin has pushed the Overton window,” Nikhil Pal Singh, a history professor... See more

Writing, more visibly and unquestionably today than ever, is inherently networked. It begins and remains connected to its subject, and to everything else, becoming part of it. It acts. It does work. It lives. When we write, we reconfigure the world.

Because brands are constrained by the number of people who come in contact with them, they are directly affected by the accessibility and velocity of information.

AI tools were meant to automate the boring bits and free up time for meaningful work. Instead, creatives speak of endless iterations, escalating client demands and entirely new categories of digital drudgery. Are we thinking about AI’s place in the creative process all wrong?

“I think people feel uncomfortable in the world today. They’ve decided that their home is their sanctuary. It’s not easy to get them to leave.”

And AI’s semivisible, infrastructural role in exploiting precarious labor (Uber’s nifty algorithm for suppressing driver wages), landlordism (RealPage’s widely used rent-hiking software), and neocolonial war (Israel’s high-tech civilian-bombing gadgetry) may already be too entrenched to stop. But professional readers and writers: We retain some... See more