Sublime

In 2020, we saw the lines between journalists and digital creators continue to evaporate.

Part of me wonders though if TikTok is helpful in understanding recommendation algorithms and curation, because it’s so blatant. I notice that, especially with younger users, there’s a total understanding that what they’re seeing is not occurring naturally, but is the result of computational choices being made for them.

Tech companies are clamoring to re-buttonize their products

The invisible and the small is rapidly spreading as a desirable, status-signaling social experience beyond Tyler Brûlé’s world, Japanese bars, and menswear forums.

It makes sense that norms are shifting in this direction as Gen Z’s influence spreads. Raised on social media, with access to once illicit bad-taste touchstones like Rocky Horror just a click away, they’ve largely replaced IRL subcultures with a constellation of aesthetics—cottagecore, dark academia, Y2K—to be performed, then discarded or demoted t... See more

The overall digital environment is dictated by tech companies with ruthlessly capitalist, expansionary motives, which do not provide the most fertile ground for culture. While the magazine fashion editor may periodically use their ability to pick out and promote a previously unheard voice, the algorithmic feed never will; it can only iterate on est

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