Sublime

All these thoughts, all these ideas, coalesced into what may have been our most consistent record since Things Fall Apart. It was so unified in its message, in fact, that one of the songs we thought would be the lead single, a track called “Birthday Girl” with Patrick Stump as a guest vocalist, had to be taken off the record. It was a topical song,

Moreover, Harriet Stowe had made a black man her hero, and she took his race seriously, and no American writer had done that before. The fundamental fault, she fervently held, was with the system. Every white American was guilty, the Northerner no less than the slaveholder, especially the churchgoing kind, her kind.

Briefly Carleton considered the other man, of whom he’d made such a study he might have been appointed professor of Thomas Studies at the University of Essex. He knew, for example, that Thomas was a confirmed bachelor, as they say, never seen in the company of a beautiful young person or a stately older one; that he had about him the melancholy

That Thomas had worked for the Chronicle since 1976 was easily established, as was the fact that he’d published three brief novels since that date. Out of a sense of delicacy Carleton never mentioned that he owned all three of these, and found them elegant and elliptical, couched in prose that had the cadence of the King James Bible, and concerned