
Every Love Story Is a Ghost Story: A Life of David Foster Wallace

being pleased is an indispensable part of giving pleasure, just as being helped is an indispensable part of being helpful.
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
“And yet, the ‘creative’ half of the title suggests an impulse rather than Enlightenment perspicuity motivates the writer and shapes the writing.”
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
Grammar, he saw, was agreement, community, consensus.
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
Infinite Jest counterposes sincerity and faith against moral lassitude.
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
words—Derrida’s famous dictum that “there is nothing outside the text.”
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
hated the acclaimed Magnolia, which he found pretentious and hollow, “100% gradschoolish in a bad way.”