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from the unrestrained elements within their own group. The result has been a tendency to be their own protectors, to bulwark themselves against careless and deliberate aggression. The Negro has felt, with some justification, that the peace officer of the community provides no defense against the offending or offensive white man; and for an entirely
... See moreHoward Thurman • Jesus and the Disinherited
creator of the Smithsonian Museum’s “Programs in Black Culture,” and one of the leading authorities on Black American music culture,
Leonard Brown • John Coltrane and Black America's Quest for Freedom: Spirituality and the Music
while supposedly holding up his hands in surrender. The reportedly unjustified nature of the shooting sparks violent riots, stokes the Black Lives Matter movement, and creates a new protest gesture known as “Hands Up, Don’t Shoot.” It’s followed by a rash of black men ambushing and murdering police officers around the nation. But in 2015, the U.S.
... See moreSharyl Attkisson • The Smear: How Shady Political Operatives and Fake News Control What You See, What You Think, and How You Vote
Seemingly contradictory calls to lock up and to save Black people dueled in legislatures around the country but also in the minds of Americans. Black leaders joined with Republicans from Nixon to Reagan, and with Democrats from Johnson to Bill Clinton, in calling for and largely receiving more police officers, tougher and mandatory sentencing, and
... See moreIbram X. Kendi • How to Be an Antiracist

In a startling scene that underscores the absurdity of white supremacist practices, the police officer charged the driver for driving a bus that was “too yellow.” The officer’s “reasoning” was that the bus was deceptive—too closely resembling a school bus.
Keisha N. Blain • Until I Am Free: Fannie Lou Hamer's Enduring Message to America
The media widely reports bogus witness accounts of Brown getting shot
Sharyl Attkisson • The Smear: How Shady Political Operatives and Fake News Control What You See, What You Think, and How You Vote
From this point of view, Rodney King’s protective reflexes, the disorderly movements by which he struggled to stay alive (he flaps his arms, staggers, tries to get up, stands on his knees) were described as being under his “total control” and as evidence of “dangerous intent,” as if violence were the sole voluntary action possible for a Black body,
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