Sublime
An inspiration engine for ideas
The writers of portraiture and spectacle, indeed all writers, must come to understand the relationship of story to life: Story is metaphor for life.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
set-up, confrontation and resolution.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
You can only reinvent the form once you know the form. Once you know the past, you can create the future:
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
‘All of us are potential villains,’
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
In every individual scene a character is confronted by their opposite;
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
a shocking yet inevitable turn
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
they are the product of the writer’s argument with reality.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Story Map Worksheet (email me and I’ll send it; see the second to last chapter for my email address)
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Misbehavior: It’s fun to give your protagonist a trait that consistently creates problems for them.