Sublime

MIYAZAKI: Even if the buildings are interesting, the problem is what’s inside. No matter how resourcefully one builds a prison, it is, after all, a prison.

This was fated from the time when television, or manga, or video games, or even photo print clubs came to fill in for something children had lost and became more exciting than reality.

It may take about five years for critical assessment of this film to be made.

—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had als

When the editors of Animage encouraged me to create a manga, I got all excited and, as fate would have it, decided to create my own version of Nausicaä. I am now forced to reflect yet again on why, years ago, I once gave up drawing manga because I felt I lacked talent. At this point, I hope that I can somehow bring this young heroine into a world o

Miyazaki: Yes, I did make a storyboard of the return of the umbrella. But that would make Totoro understand things too much. There is no way he would understand lending and borrowing. And there is no way Totoro would have an aversion to getting wet in the rain. —Because he is an animal. Miyazaki: Right. And rain helps plants grow. Since he lives as