Sublime
An inspiration engine for ideas
slash explores the possibility of existing outside of those categories, of combining elements of masculinity and femininity into a satisfactorily whole yet constantly fluid identity.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
emotional corporeality is moreover a central element to defining black racial authenticity.
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
This threat is in fact an attempt to counter the danger the men frequenting the park instantiate with their transgression of sexual and identitarian norms.
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
have. Self-consciousness about one’s “sexual orientation” keeps the issue of gender central at exactly the moment in human experience when gender really needs to become profoundly peripheral.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
Explicitly drawing on black traditions of family, he imagined a partnership, extended kin networks, friendships, and gay social worlds as constituting something more vital.
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
none who protested the production of these men as twenty-first century sex deviants, or the almost extralegal management of their behavior by a local news station.9
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
close ties between male fans and male writers created barriers to female fans and this fandom’s traditions resisted inflection or redefinition.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
Slash throws conventional notions of masculinity into crisis by removing the barriers blocking the realization of homosocial desire;