Sublime
An inspiration engine for ideas
New York Times doesn’t triple the length of its bestseller list just because a large number of books are selling especially well;
Todd Rose • Dark Horse: Achieving Success Through the Pursuit of Fulfillment
The online world was his stage; he just needed to decide who would come out from behind the curtain.
Nick Bilton • American Kingpin: Catching the Billion-Dollar Baron of the Dark Web
His nonfiction persona was, as Wallace told an interviewer, “a little stupider and shmuckier than I am.”
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
to gather and make accessible and useful the world’s information—in
Steven Levy • In The Plex: How Google Thinks, Works, and Shapes Our Lives
“basically an enormous eyeball floating around something, reporting what it sees.”
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
Max’s comments were effective almost subliminally; he had a way of gently tossing them out as one would pebbles into a pond, making rings of meaning which enlarged until they touched the author’s consciousness.
A. Scott Berg • Max Perkins: Editor of Genius
and Lee K. Abbott’s “Living Alone in Iota” to showcase voice.
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
Burgess’s novel showed how to use hyperbolic language to convey deadened emotional states.