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Kristina Busse • Fan Fiction and Fan Communities in the Age of the Internet: New Essays
There is a presumption in thinking that we entirely invent our stories. Rather it could be said that the stories come through us, assemble themselves out of the elements of our lives and imagination. We receive and shape them. We cannot be said to originate them. All true storytellers are modest.
Ben Okri • The Mystery Feast: Thoughts on Storytelling
Re-Authoring the World: The Narrative Lens and Practices for Organisations, Communities and Individuals
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we display these characteristics and influences in different proportions depending on who and what we are.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Narrative coaching creates a space for individuals to reconnect the rich knowledges, values, passions and hopes in their relationship to the story of work and work-communities, in which they become the authors and co-authors in writing the story of the companies they represent.
Chené Swart • Re-Authoring the World: The Narrative Lens and Practices for Organisations, Communities and Individuals
Each reading, however, would foreground different episodes or moments in episodes as particularly pleasurable or significant (rules of notice) and would ascribe alternative meanings to them (rules of significance); each would make its own predictions about likely plot developments (rules of configuration) and its own judgements about what would con
... See moreHenry Jenkins • Textual Poachers: Television Fans and Participatory Culture
As we write stories, we write the world—and in this way storytelling can be considered a critical act of design.
Liam Young • Planet City
For authors like Joyce, Beckett, and Arno Schmidt, the model reader seems often to have been a conveniently unidentifiable version of themselves.