Sublime

Many Great Groups have a dual administration. They have a visionary leader, and they have someone who protects them from the outside world, the “suits.”

In nearly every movie you can think of, the guide gives the hero a plan.

the “hero” is usually the one who carries the theme of the movie.

5. Hero crosses Threshold, enters Special World. 6) Hero encounters enemies and allies, undergoes ordeal that will serve as his Initiation. 7) Hero confronts Villain, acquires Treasure. 8) The Road Back. Hero escapes Special World, trying to “get home.” 9) Villains pursue Hero. Hero must fight/escape again. 10) Hero returns home with Treasure, reinteg

three-act Central Plot with subplots has become a kind of standard.

Second, we’re soon led into the heart of the character.

how I chose and made movies for the rest of my career: Joseph Campbell’s theory of the monomyth, the hero’s journey as laid out in The Hero with a Thousand Faces.

when a protagonist journeys into the woods, the woods have to be as frightening, as dark and foreboding as home is welcoming.

‘home’ is threatened the protagonist suffers from some kind of flaw or problem the protagonist goes on a journey to find a cure or the key to the problem exactly halfway through they find a cure or key on the journey back they’re forced to face up to the consequences of taking it they face some kind of literal or metaphorical death They’re reborn a