Sublime
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A director explains cinematographer Barry Ackroyd's documentary-style approach to creating urgency and his collaborative process of discovery on set.
TRANSCRIPT
Give me an example of how he creates drama from a phone call that's just different.
So what he does is his background is as a documentary filmmaker. So he started with long lens in the corner of the room, don't look at me, and crazy stuff going on.
David Lynch lashes out at crew for not letting him go dreamy
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tracked—and then revised or adapted as circumstances dictate.
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