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And without helping himself to a slice of the songwriting credits, which would have been standard practice. The failure of George Martin to rip them off remains one of the most bizarre elements of their story.
Rob Sheffield • Dreaming the Beatles
Mike was living out what some therapists call a love-lust split. Home was stable, good, responsible, and dead. Outside, the street was adventurous, bad, selfish, and alive.
Bruce Springsteen • Us: Getting Past You and Me to Build a More Loving Relationship (Goop Press)
Springsteen on Springsteen: Interviews, Speeches, and Encounters (Musicians in Their Own Words)
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I have been asked to sign all sorts of strange things, including hands, arms and actual breasts. I remember Danny Kaye, coming over on the plane, was asked to sign a stewardess’s blouse in a protuberant place. My nastiest moment with autograph hunters was years ago when I was making Ivanhoe. I stepped from a car at the stage door, where a mob of te
... See moreSir Roger Moore KBE • The 007 Diaries: Filming Live and Let Die
Ask a hundred people on the street who Manson is—ninety-nine will tell you he’s the hippie freak who stabbed a bunch of people after playing the White Album backwards.
Rob Sheffield • Dreaming the Beatles

Marshall Crenshaw performing at Princeton University. Marshall Crenshaw is a bespectacled singer-songwriter whose music has a slight 1950s/ pre-Beatles bent; his most famous song is probably “Someday, Someway” from his debut album. He played Buddy Holly in the movie La Bamba.
Tom Scharpling • It Never Ends: A Memoir with Nice Memories!
Stuart Landis
@stuartlandis
Bruce Kilpatrick
@brucekilpatrick