Sublime

Rich with access to hundreds of hours of never-before-seen footage and unreleased music, Gary Hustwit’s forthcoming documentary Eno employs groundbreaking technology to accomplish something that’s never been done before: a feature film that’s never the same twice. Hustwit and creative technologist Brendan Dawes have developed bespoke generative... See more

Eno sought to create music that could be interrupted at any time (for flight announcements and such) without in any way harming the music. Also, since the music would probably be talked over, none of the instruments or frequencies matched the sound of the average human voice so there would be no need to compete for sonic space. He also noticed that... See more

What Eno likes about 77 Million Paintings is that he has no idea what will appear on screen, nor what aesthetic effects will be produced. "That's pretty interesting. But what interests me more is the way people experience them. My shows are not narratives. Nothing much happens yet people come and stay for hours in a contemplative state. I thought,... See more

Pure Scenius will be a six-hour improvised show featuring several musicians ... Pure Scenius first took place in Sydney last year, prompting the Morning Herald to say: "The theatre of the music-making process was as enthralling as the music itself." Above the musicians sits an overhead projector, on which Eno writes notes. "I'll write things like,... See more