Sublime

The centerpiece of the fresco was a flock of cybernetic cherubs, each shouldering a spherical atom, converging on some central work-in-progress, a construct of some several hundred atoms, radially symmetric, perhaps intended to look like a bearing or motor. Brooding over the whole thing, quite large but obviously not to scale, was a white-coated En

Taking all this in and thinking about the young artists I admired, I had every reason to be concerned, especially for my friend Botond Részegh, a Transylvanian artist whom I’ve known for over a decade. His fantastic illustrations helped tie together the science and history narratives in my previous book, Bursts, and I’ve long admired his paintings,