Sublime

Artists do not create contexts; they work within them. Context is the web of complex circumstances in which artists work in relation to their physical environment, historical trends and traditions, social movements, cultural values, intellectual perspectives, personal commitments, and more. Art originates from within a context. Likewise, art is

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As art would no longer respond to itself, and no longer had any constraints, other human activities could be drawn from the world into its hungry maw. Art was no longer moving forward. Individual artists were free to consume the present, swallow other cultural forms, and twist them into new experiences.

My working definition of art is thus derived in part from both a moderate institutional theory that recognizes the important role that the museum space plays in determining meaning and mediating a history, tradition, and theory of what occurs in that space, and an ecological theory of art that affirms that in its making and viewing, art does

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It is notable that very large collections of art, and all the world’s major museums, are the work of the very rich or of societies during strongly nationalistic periods. All the principal museums in New York, for example, are associated with the names of the famously rich: Carnegie, Frick, Rockefeller, Guggenheim, Whitney, Morgan, Lehman. Such

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4. Ever wonder about the vast universe of critically acclaimed aesthetic masterworks, most of which you do not really fathom? If you dismiss them, and mistrust the critics, odds are that you are wrong and they are right. You do not have the context to appreciate those works. That is fine, but no reason to dismiss that which you do not understand.... See more

The art of the past no longer exists as it once did. Its authority is lost. In its place there is a language of images. What matters now is who uses that language for what purpose. This touches upon questions of copyright for reproduction, the ownership of art presses and publishers, the total policy of public art galleries and museums. As usually

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When we ‘see’ a landscape, we situate ourselves in it. If we ‘saw’ the art of the past, we would situate ourselves in history. When we are prevented from seeing it, we are being deprived of the history which belongs to us. Who benefits from this deprivation? In the end, the art of the past is being mystified because a privileged minority is

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