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When we embody a classic play like The Bacchae , I am interested in including the history of the play and all of its previous productions into our consideration about how to stage it it today. For example: If playing Stanley in A Streetcar Named Desire , do you pretend that Marlon Brando never performed the role? What do you do with the ghost and m... See more

Genevieve Trainor • Five questions with: Director Anne Bogart - Little Village

Some of the smartest practices and group-building exercises come from the theater. They are powerful group methodologies that play with a healthy balance of the individual and the group — locating techniques and moments of choice of when and how a group comes together while allowing individuals to still have a voice.

About Priya Parker | Her Story — Priya Parker

Chloë Sevigny on figuring things out as you go along – The Creative Independent

T. Cole Rachel (interviewer)thecreativeindependent.com

Movement experience elicits genuine insights into our own behaviors and also into how groups shift from perpetuating stale relationship patterns toward becoming creative entities. It provokes reflection and learning. It makes visible the deeper patterns that support the cultivation of healthy social relations, sparking creative action in teams, org

Arawana Hayashi • Social Presencing Theater: The Art of Making a True Move

In performance cultures, people often become attached to best practices. The risk is that once we’ve declared a routine the best, it becomes frozen in time. We preach about its virtues and stop questioning its vices, no longer curious about where it’s imperfect and where it could improve.

Adam Grant • Think Again: The Power of Knowing What You Don't Know

This is one of the paradoxes of creative collaboration. Great Groups are made up of people with rare gifts working together as equals. Yet, in virtually every one there is one person who acts as maestro, organizing the genius of the others. He or she is a pragmatic dreamer, a person with an original but attainable vision. Ironically, the leader is

Patricia Ward Biederman • Organizing Genius: The Secrets of Creative Collaboration

I think of each production as a Tower of Babel. Everybody comes in with different training, speaking different languages, and you have four weeks to speak the same language.

Sarah Ruhl • BOMB Magazine | Sarah Ruhl

And then, you act

Anne Bogart

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