Sublime
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We see her face, we see her foot, and we know.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
two opposites are assimilated and a conflict is stilled.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
only a relatively small, self-selecting group is going to tune in on a weekly basis to live by proxy the life of a failure.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
She was Melissa’s oldest, boldest friend. They had gone to the same primary school. Hazel worked in advertising. She had a wide and glamorous smile behind which was an oft-foul tongue, and long, bouncing, half-French, half-Ghanaian curls falling down her back, the most beautiful, the most envied of their schoolgirl pack, the one the boys always
... See moreDiana Evans • Ordinary People: Shortlisted for the Women's Prize for Fiction 2019
RE-ACCEPTANCE
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
diegetically,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
mirror images.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
If an audience is presented with disparate images they will assemble them into a meaningful order.
