Sublime

when free speech was a perilous exercise, and when to declaim against vice and folly was to court personal risk, the fable was invented, or resorted to, by the moralist as a circuitous method of achieving the end he desired to reach—the

Immediately before his execution he delivered to his persecutors the fable of The Eagle and the Beetle,[21] by which he warned them that even the weak may procure vengeance against the strong for injuries inflicted. The warning was unheeded by his murderers. The shameful sentence was carried out, and so Æsop died, according to Eusebius, in the four

Immediately before his execution he delivered to his persecutors the fable of The Eagle and the Beetle,[21] by which he warned them that even the weak may procure vengeance against the strong for injuries inflicted. The warning was unheeded by his murderers. The shameful sentence was carried out, and so Æsop died, according to Eusebius, in the four

the fables of Æsop have a mobility about them which we do not find in those of other fabulists; they are essentially Attic in their diction, exhibiting all the marks of that compressed wit and wisdom for which the ancient Greek mind was distinguished. Eastern fable, on the other hand, is ornate and florid, and wanting in the Grecian clear-cut direc

A wise old owl lived in an oak,

The more he saw the less he spoke,

The less he spoke, the more he heard,

Why aren’t we all like that old bird?