Robin Good

Marsh lays out several prerequisites for the person curating a digital exhibition. First and foremost, they need a “willingness to engage with [their] content on a level deep enough to perceive its meaning and significance." Understanding the audience, including “what they would find interesting, valuable, or compelling," is also critical. Further,

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While it’s probably one of the corniest things I’ll ever write in this column, I’ve come to believe that developing taste is not so unlike going to therapy; it’s an inefficient, time-consuming process that mostly entails looking inward and identifying whatever already moves you. It’s the product of devouring ideas, images and pieces of culture not... See more

what really moves the needle: how you encode, capture, and curate expertise — the contexts, mental models, and frameworks that allow your human creativity soar alongside the machine.

Software has eaten the world, and now it’s a commodity. It’s not about the technology anymore. The era of the engineer has ended; the era of the curator has begun.

The winning film argued that "total pixel space represents both the ultimate determinism and the ultimate freedom—every possibility existing simultaneously, waiting for consciousness to give it meaning through the act of choice."

In making this statement, the film suggested that creativity, above all else, is an act of curation. It's a claim that... See more

Curation is an act of illuminating [something that is not us].

This problem of overabundance is why I wrote my piece last year. As consumption of digital media increased, we began to see a larger volume of curators — coolhunters, just like Gladwell had outlined in ’97, but this time in a digital space. On Tumblr, this looked like blogs of curated art or photography; on Pinterest, we saw well-crafted... See more