rena weafer

Mid-century and 1970s cinema portrayed hagdom as a more internal battle against suffocating domestic roles. But the modern hag’s threat is measured not just by her failure to conform, but her ability to reshape the home to reflect her presence. Where Old Hollywood dramatized internal collapse, horror today emphasizes a more external ruin. The house... See more

It’s a constant, subtle reminder that feminine labor, and the women performing it, are seen as both necessary and dangerous.

She is the end that every woman worries about. Her body is no longer desirable, her labor no longer necessary. What is monstrous about her is simply the fact that she exists past her usefulness. Because aging, bitterness, and decline are inseparable from womanhood itself, every woman has the capacity to become monstrous, and every woman is a... See more

One of the most important things I’ve learned is that part of the feminine’s sacred responsibility is to know what she wants . To feel her longing. To know what would delight her, nourish her, open her. And then, to express that—not from neediness or control, but from authenticity, from embodied joy.

I’ve come to work with, the masculine is the energy of emptiness, stillness, consciousness, and containment. He offers presence, clarity, and structure. He is the Logos —the ordering word, the clarity of divine structure. The feminine , by contrast, is the energy of movement, matter, emotion, and life force. She is flow, expression, intuition,... See more

She receives—but she also gives. She inspires, transforms, and creates.

She carries the capacity to feel the sorrow of the world and still give birth to something new.

She is not a role to perform, but a presence to remember.