Philipp Rimmler

A RUDE COMMENT ABOUT “COLLECTIBLE DESIGN”

With a desire for décor objects (such as furniture) to be seen as just as VALUABLE as “art” (market-wise), it has decided to mimic it. Décor as everything-is-sculpture. (And so it should be allowed to!!!!, it can be an Isamu N. blurring! but...) The homes of the wealthy now often CONVULSE under the... See more

the art world rather craves context or historicity or narrative, situating works within some cultural framework.

These articles argue is that most entrepreneurs default to “competing” without even thinking about it. I’d add that this bias is matched by a habit of the customer to compare.

Love is for the ones who love the work.

My phone is silent but it feels like it’s yelling at me all the time.

BD: My entire gig is built on identifying, defining, executing and refining superformats for brands, agencies and publishers. That's *because* done right they are ownable, modular and scalable. And therefore durable and valuable.

To them, the “culture industry” was a tool to both occupy our senses and influence our attitudes toward the world. Through the mass production of entertainment, the media-makers are able to dominate people’s leisure “from the time they leave the factory in the evening to the time they clock in again the next morning.” The flat, repetitive nature of... See more

“Philosophical success is hard to rank. Games results are, in contrast, usually easy to rank,”

"I fear, this war, so costly of blood and treasure, will not cease until men of the North are willing to leave good positions, and sacrifice the dearest personal interests, to rescue our country from desolation, and defend the national existence against treachery."