Penny Byrne
@pennybyrne
Penny Byrne
Fur-‐ thermore, notions of the experiential quality of spectatorship, which alternate between the realms of the symbolic and the affective, govern my analysis of Kubrick, whom critics lauded as being a “conductor” or “orchestrator” of the senses
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movies were becoming the flashpoint for the nation’s culture wars and generational conflicts.
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Kauffman again, conflict influence
björk said that trying to communicate through talking feels like trying to put the ocean through a straw
The typical film director probably falls somewhere in between the extremes; Stanley Kubrick, Alfred Hitchcock, and David l ynch are examples of auteurs , because their impact on the work is so profound that it becomes a kind of psychic extension of themselves.
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Because of their profound, intentional, impact on the work
the question about creative control over the fi-nal film that reaches the screen
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is ‘at the heart of the question about the commercial art of the movies’
This was the basic reason for creating the star system, and nurturing it throughout Hollywood history.
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The ‘star system’. Hollywood figured out people would go to theatres to see specific actors
ADHD/ADD is usually described as being made up of three core behaviours:
- Predominantly inattentive type – problems of attention, distractibility, short-term memory and learning.
- Predominantly hyperactive type – impulsive, poorly self-monitored behaviour.
- Combined type – most children with ADHD/ADD fall into this category.
Just a moment...
In Eu-rope recognition that the director has a claim of possession and ownership of a feature film has been codified into law for the nations of the European Union.
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Generally acknowledged as being introduced formally into the United States by the critic Andrew Sarris in 1962, the auteurist idea or the auteur theory was soon perceived as greatly inspirational to filmmakers and movie fans.
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Introduced to the U.S in 1962