Faith Hahn

New technologies may be disruptive to the existing population of working musicians, but even more irresistible to the general public than new technology are new forms of music, which may introduce new classes of musicians who don’t fit neatly into the existing professional categories. Take the rise of rock and roll.

In a stunning rebuke of traditional GOP deregulatory instincts, the Senate voted 99–1 to kill the measure. For the first time in decades, conservative priorities placed local cultural guardianship over the absolute freedom to innovate. That vote showed just how unsteady the old coalitions have become, and how powerful the populist realignment... See more

Detection systems are being embedded across the entire music pipeline: in the tools used to train models, the platforms where songs are uploaded, the databases that license rights, and the algorithms that shape discovery. The goal isn’t just to catch synthetic content after the fact. It’s to identify it early, tag it with metadata, and govern how... See more

Meanwhile, among the 57% of people who had heard of one of these top ‘trends’, less than half of them have attempted to participate.

The vast majority of people have not even heard of what marketers are obsessing over.

Here is something for the incubator to think about: if we take this notion of hyper-personalisation to its extreme, the endpoint is a world where every DSP user receives a slightly different version of every song release. Is this a dream, or another episode of Black Mirror ?

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.