Faith Hahn

New technologies may be disruptive to the existing population of working musicians, but even more irresistible to the general public than new technology are new forms of music, which may introduce new classes of musicians who don’t fit neatly into the existing professional categories. Take the rise of rock and roll.

She explains that a young man had once fallen passionately in love with the statue and managed to get locked in with her all night; and that the little stain is the only surviving trace of his lust. The heterosexual and the homosexual both gleefully claim that this proves their point (the one observing that even a woman in stone could arouse... See more

Hermeneutic labor is the burdensome activity of: understanding and coherently expressing one's own feelings, desires, intentions, and motivations; discerning those of others; and inventing solutions for relational issues arising from interpersonal tensions. I argue that hermeneutic labor disproportionately falls on women's shoulders in... See more

In this context, Kaija Saariaho’s very last musical work, a concerto for trumpet and orchestra under the title of HUSH (2022-23), stands apart as something knowingly conceived as finale – both in personal and professional terms – winding up (as far as such action is humanely conceivable) a cycle of solo concerti, an œuvre, a life.

The study estimates that the music industry has lost over £10 million in revenue to AI-generated content, but this is likely just the tip of the iceberg. Consider that one North Carolina musician, with a relatively small-scale operation, was allegedly able to generate hundreds of thousands of fake tracks, rack up billions of plays, and syphon off... See more

“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”

“There’s no way to make these systems without human labor at the level of informing the ground truth of the data — reinforcement learning with human feedback, which again is just kind of tech-washing precarious human labor. It’s thousands and thousands of workers paid very little, though en masse it’s very expensive, and there’s no other way to... See more

Like a town built around a mine, an entire ecology has sprung up around the seemingly inexhaustible resources of Kononenko’s fortune and Ishkhanov’s energy as an organizer. That ecology is Shorworld: a labyrinthine network that intersects with the mainstream classical music industry while duplicating many of its structures. And though the... See more