Faith Hahn
@onefaithlove
Faith Hahn
The most frequent complaint I hear about streaming services is that they don’t pay artists fairly. Michael Pelczynski, the former Vice President of Strategy at SoundCloud, took that complaint personally. Over his five years with the streaming service, he helped conceive and implement a novel payment scheme that received much praise.
In an hour-long... See more
In an hour-long... See more
Chris Dalla Riva • Music's Past & Future: Talking with Michael Pelczynski
music streaming and
Intelligence and
The first citation given concerns the “uniqueness problem,” which emphasizes a result long known by those of us who worked on IIT: that in systems that have mathematically perfectly symmetric interactions (the specifics are complicated, but just imagine this like a geometric shape), IIT gives conflicting answers as to the boundaries of the... See more
Erik Hoel • Ambitious theories of consciousness are not "scientific misinformation"
Culture and Imperialism
An exploration of the cultural and literary manifestations of imperialism in 19th and early 20th century Britain and France, and its relationship with the formation of national identity.
oldemc.english.ucsb.eduHistory and Literary Criticism
Culture and Imperialism, Edward Said.
The phrase represents WOXY’s core feature: its philosophy of independence. The idea that you can only be truly independent—creatively and otherwise—if you pursue that independence with and for other people
The Future of Rock and Roll: 97X WOXY and the Fight for True Independence on JSTOR
music and Music Industry
To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling, this is the activity of Art.
John Warner • Speed and Efficiency are not Human Values
culture and
Classics and
Reality and
(Annotated).
Music has emerged as private equity's recession-resistant darling, thanks to streaming's predictable revenue patterns and live entertainment's remarkable post-pandemic resilience.