Faith Hahn

Unlike a more classic European operatic takedown of capitalist America—like Kurt Weill and Bertolt Brecht’s brutal “Aufstieg und Fall der Stadt Mahagonny”— these productions seem committed to imitation rather than meaning. They never elevate their scattered details to the level of myth. The productions are a collection of curios, a dress-up that... See more

The decision created a new form of liability known as “inducement”: the technology companies, the court ruled, had seduced the users — the teens, the kids, the fans, the pirates — into infringing copyright. It didn’t matter that these services never hosted any files or made a central index.

In seiner vollen Ausfaltung aber fährt er in überwältigender Wirkung, doch eben überhaupt nicht effektmacherisch in unser Ohr: so, als würden alle Töne der Welt, die bekanntlich im Nichtsklang stecken, auf einmal hörbar. Tausend Farben grellen uns da weiß an. Dieser schneidende Krach ist zugleich vollkommene Stille.

Almost anyone can tell you the cost of living has increased between the onset of the pandemic and today. Implying anything else is, as my younger colleagues would say, legit gaslighting, or at least missing the point. Now, in recent months, headline after headline proclaims “inflation has cooled.” But does that mean we are out of the water?

This... See more

Well, even though making and releasing music has become easier than ever, the support of a major label — and its marketing powerhouse — is one of the top determinants (if not prerequisites) for getting access to some of the most valuable streaming "real estate" .

Houellebecq wore his biography, professional identity, marital status, and psychiatric condition – everything modern society considers intrinsic and defining of the individual – as an amusing costume to be played with and discarded. He frees himself through his work from the straitjacket of ‘identity politics’ which placates its prisoners, like a... See more