Faith Hahn
@onefaithlove
Faith Hahn
The changeover has been absolutely stark, and it’s accelerating. Many of my sources in the competition policy world are giving me the same message, which is that this is the most extraordinary month they have ever seen in antitrust.
There are the big fights, the cases against Google and Amazon, the suits against private equity and meat... See more
There are the big fights, the cases against Google and Amazon, the suits against private equity and meat... See more
Matt Stoller • "Never Seen Anything Like It:" The Biggest Month in Antitrust in 50 Years
Astonishment is lost but can be found again. Shoshana Zuboff, The Age of Surveillance Capitalism.
The dream of a Liberal (arts) education—which is the scaled, democratic form of the Keatsian ideal of negative capability—cannot hold up when liberalism itself is held to be suspect.
Zohar Atkins • The Liberal Arts Are Dying Because Liberalism is Dying
A Good Life and
Tell a wise person or else keep silent
for those who do not understand
will mock it right away.
for those who do not understand
will mock it right away.
Poetic Outlaws • The Holy Longing
What Does Music Mean to Spotify? An Essay on Musical Significance in the Era of Digital Curation
Asher T Chodosacademia.edu
music streaming and
Abstract: The growing field of “critical algorithm studies” often addresses the cultural consequences of machine learning, but it has ignored music. Te result is that we inhabit a musical culture intimately bound up with various forms of algorithmic mediation, personalization, and “surveillance capitalism” that has largely escaped critical attention. But the issue of algorithmic mediation in music should matter to us, if music matters to us at all. This article lays the groundwork for such critical attention by looking at one major musical application of machine learning: Spotify’s automated music recommendation system. In particular, it takes for granted that any musical recommendation – whether made by a person or an algorithm – must necessarily imply a tacit theory of musical meaning. In the case of Spotify, we can make certain claims about that theory, but there are also limits to what we can know about it. Both things – the deductions and the limitations – prove valuable for a critique of automated music curation in general."
Though their advocates and spokespeople have a tendency to use the word union loosely, they’re better understood as advocacy and lobbying groups than labor unions in the traditional or legal sense. Despite UMAW’s robust social media presence, their numbers and structural leverage are fractions of those of the AFM.
Worker’s Song | Franz Nicolay
music and music streaming
Karikó spends her time with tremendous care now. Too much of it is taken up with emailing; Susan keeps telling her mother that she doesn’t need to respond to all of the people who write to express their individual vaccine hesitancies. But Karikó feels responsible. “The distance between what the average person is knowing about the vaccine and what... See more
Mattie Kahn • The Scientist Who Saved the World
If Apple wanted to offer exclusive music, they would cut a deal with Taylor Swift. They have the cash to do it. They wouldn’t waste time on locking up Kalevi Aho. That’s so obvious I shouldn’t even have to say it, but (given all the smoke and mirrors here), I really do.
So we’re clearly dealing with the bad Apple here. And the fact that the company... See more
So we’re clearly dealing with the bad Apple here. And the fact that the company... See more
Ted Gioia • Nobody Will Tell You the Ugly Reason Apple Acquired a Classical Music Label
Classical Music and
Music has emerged as private equity's recession-resistant darling, thanks to streaming's predictable revenue patterns and live entertainment's remarkable post-pandemic resilience.