Faith Hahn

@onefaithlove

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Unlike a more classic European operatic takedown of capitalist America—like Kurt Weill and Bertolt Brecht’s brutal “Aufstieg und Fall der Stadt Mahagonny”— these productions seem committed to imitation rather than meaning. They never elevate their scattered details to the level of myth. The productions are a collection of curios, a dress-up that... See more

Micaela Baranello • Turn The Machine Inward

Musicology and

14. All those nasty, rebellious songs that defy authorities are now owned by hedge funds.

Ted Gioia • 14 Warning Signs That You Are Living in a Society Without a Counterculture

Cultural Criticism and

To be honest, my appetite for this sort of online blowup diminishes hourly. Though I’m as prone to schadenfreude as any other media professional trying to hold onto relevance in an increasingly winner-take-all economy, there’s something about watching extremely online people have noisy meltdowns that makes me feel like I’m inhaling my own body... See more

Who Killed Creative Writing?

Literary Criticism and

One evening, in the horizontal light, soft and colourful, with an acute sense of my depravity, having just published a piece with the phrase ‘satyric schlong’ alongside observations from a nudist bathhouse in Sweden, I sought refuge in the pages of Kafka’s diaries, that ‘twenty-first century Dante.’

Alexander • Kafka on the Nudist Beach

Essays and

In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more

Music Tech / Future of Music and

AuthorityHacker surveyed 1,200 music consumers and got some striking results: 93% said they did not value AI-generated music as highly as music produced by humans. And, while over 60% said they would consider listening to AI music, some 56% also said they would not willingly pay for songs generated using AI. Perhaps most striking: 89% of those... See more

As AI fakes proliferate, we need to draw a clear distinction between human-made music and AI-generated content

music streaming and

Poetry and

Nabokov — Speak, Memory.

The story, Kelley writes, is “the tale of what happens when working-class consumption of popular culture overrides the interests or concerns of popular culture workers . . . a story about the limits of solidarity . . . [set by] consumers whose own self-interest may actually clash with the demands of laboring artists.”

Worker’s Song | Franz Nicolay

Music History and

In reality, Spotify was subject to the outsized influence of the major-label oligopoly of Sony, Universal, and Warner, which together owned a 17 percent stake in the company when it launched. The companies, which controlled roughly 70 percent of the market for recorded music, held considerable negotiating power from the start. For these major... See more

Liz Pelly • The Ghosts in the Machine

Music Criticism and