The dream of a Liberal (arts) education—which is the scaled, democratic form of the Keatsian ideal of negative capability—cannot hold up when liberalism itself is held to be suspect.
In this context, Kaija Saariaho’s very last musical work, a concerto for trumpet and orchestra under the title of HUSH (2022-23), stands apart as something knowingly conceived as finale – both in personal and professional terms – winding up (as far as such action is humanely conceivable) a cycle of solo concerti, an œuvre, a life.
She explains that a young man had once fallen passionately in love with the statue and managed to get locked in with her all night; and that the little stain is the only surviving trace of his lust. The heterosexual and the homosexual both gleefully claim that this proves their point (the one observing that even a woman in stone could arouse... See more
The most frequent complaint I hear about streaming services is that they don’t pay artists fairly. Michael Pelczynski, the former Vice President of Strategy at SoundCloud, took that complaint personally. Over his five years with the streaming service, he helped conceive and implement a novel payment scheme that received much praise.
In cases where the MLC is not able to match musical works to copyright owners, the MLC is authorized to distribute the unclaimed royalties to copyright owners identified in the MLC records, based on the relative market shares of such copyright owners as reflected in reports of usage provided by digital music providers for the periods in question.
De Mulieribus Claris or De Claris Mulieribus (Latin for "Concerning Famous Women") is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in Latin prose in 1361–1362. It is notable as the first collection devoted exclusively to biographies of women in post-ancient Western... See more