Faith Hahn

Music has emerged as private equity's recession-resistant darling, thanks to streaming's predictable revenue patterns and live entertainment's remarkable post-pandemic resilience.

To give birth, to nourish,

to bear and not to own,

to act and not lay claim,

to lead and not to rule:

this is mysterious power.

But the Cigna review system that blocked van Terheyden’s claim bypasses those steps. Medical directors do not see any patient records or put their medical judgment to use, said former company employees familiar with the system. Instead, a computer does the work. A Cigna algorithm flags mismatches between diagnoses and what the company considers... See more

That is, of course, more or less the rub: if the Xerox machine is somewhat of a troubling invention, everything about our modern-day computer-rich ecosystem is a thousand times worse. My phone syncs to my tablet syncs to my laptop; the value proposition of every device on my person is that it instantaneously and unquestioningly shares copies — of... See more

The study estimates that the music industry has lost over £10 million in revenue to AI-generated content, but this is likely just the tip of the iceberg. Consider that one North Carolina musician, with a relatively small-scale operation, was allegedly able to generate hundreds of thousands of fake tracks, rack up billions of plays, and syphon off... See more

Like a town built around a mine, an entire ecology has sprung up around the seemingly inexhaustible resources of Kononenko’s fortune and Ishkhanov’s energy as an organizer. That ecology is Shorworld: a labyrinthine network that intersects with the mainstream classical music industry while duplicating many of its structures. And though the... See more

Hermeneutic labor is the burdensome activity of: understanding and coherently expressing one's own feelings, desires, intentions, and motivations; discerning those of others; and inventing solutions for relational issues arising from interpersonal tensions. I argue that hermeneutic labor disproportionately falls on women's shoulders in... See more

And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.