these figures remain a sham. To get to 6.7 million, Netflix first tallies the film’s “viewing hours,” the total amount of time that users have spent streaming the movie. Here, Netflix makes no distinction between users who watch Sweet Girl all the way through, those who watch less than two minutes, and those who watch just a few seconds thanks to... See more
I don’t want to pretend like I’m too good for ugliness, for effort, when I know very well that it’s the price that unlocks everything beautiful in the world.
Almost anyone can tell you the cost of living has increased between the onset of the pandemic and today. Implying anything else is, as my younger colleagues would say, legit gaslighting, or at least missing the point. Now, in recent months, headline after headline proclaims “inflation has cooled.” But does that mean we are out of the water?
The music industry is deceiving you. They aren’t doing it on purpose, though. Statistics are just deceptive. And I’m not talking about any fancy statistical techniques. I’m talking about simple things, like means and medians. I’ll illustrate how with Spotify’s album charts.
The simplest way a music streaming service calculates the top album on their... See more
That morning at the lab, Karikó’s old boss had come to see her off. She did not tell him what a terrible mistake he was making in letting her leave. She didn’t gloat about her future at BioNTech, a pharmaceuticals firm that millions now associate with lifesaving vaccines but was then a relative upstart in the field. Instead the woman who had... See more
Spotify has already learned that there’s no money to be made with exclusive rights to superstar offerings. “After pouring billions into podcasts and audiobooks to little effect,” explains tech journalist David Pierce, “it seems to have largely given up on the idea that exclusive content is the path to riches.”
Streaming sites have thus transformed into enterprises whose business is not limited to the sale of music-related services, but relies increasingly upon the collection, aggregation, and exchange of user data. A key issue this article pursues concerns the changing status of music within the commercial strategies of online streaming. While previous... See more