these figures remain a sham. To get to 6.7 million, Netflix first tallies the film’s “viewing hours,” the total amount of time that users have spent streaming the movie. Here, Netflix makes no distinction between users who watch Sweet Girl all the way through, those who watch less than two minutes, and those who watch just a few seconds thanks to... See more
The music industry is deceiving you. They aren’t doing it on purpose, though. Statistics are just deceptive. And I’m not talking about any fancy statistical techniques. I’m talking about simple things, like means and medians. I’ll illustrate how with Spotify’s album charts.
The simplest way a music streaming service calculates the top album on their... See more
Even the regulatory arena, where Altman publicly champions AI oversight, bears the fingerprints of double-dealing. While testifying in favor of federal regulation, OpenAI lobbied behind the scenes to weaken the EU AI Act and is now advocating for federal preemption of state AI safety laws in the US. Altman has called the very regulatory structure... See more
That morning at the lab, Karikó’s old boss had come to see her off. She did not tell him what a terrible mistake he was making in letting her leave. She didn’t gloat about her future at BioNTech, a pharmaceuticals firm that millions now associate with lifesaving vaccines but was then a relative upstart in the field. Instead the woman who had... See more
And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.