Every doctrine of inevitability carries a weaponized virus of moral nihilism programmed to target human agency and delete resistance and creativity from the text of human possibility. Inevitability rhetoric is a cunning fraud designed to render us helpless and passive in the face of implacable forces that are and must always be indifferent to the... See more
Shoshana Zuboff, The Age of Surveillance Capitalism
The phrase represents WOXY’s core feature: its philosophy of independence. The idea that you can only be truly independent—creatively and otherwise—if you pursue that independence with and for other people
“We have to overcome some legal hurdles, but we could unionize musicians tomorrow,” DeFrancesco said. “SAG is like an alternate history for musicians. We’ve done all this before and won, just not within recent memory.”
Some musicians are in fact unionized. The American Federation of Musicians, with 80,000 members in the U.S. and Canada, collectively... See more
We also discuss, among other things: decapitated ostriches, fatal rose petals, and Mary’s robust reappraisal of Marcus Aurelius’s ‘sub-Stoic’ maundering.
There is also a slightly subtler impact, noted by labels that we interviewed, on new artists, whereby their growth trajectory has been impacted due to the chilling effect on their ability to monetise the earliest stage of their career, and their access to support and services from platforms. Applying arbitrary thresholds to artists who are just... See more
Major music rights holders and tech companies are now expected to generate profits for a dizzying array of stakeholders sitting outside of industry borders, including banks, private equity firms, big-tech conglomerates, and sovereign wealth funds — not to mention public retail investors.
There has been no central resource tracking these macro shifts... See more
For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.