Faith Hahn
@onefaithlove
Faith Hahn
Whatever initial appeal this argument has, it owes to the unpleasantness of corporate drudgery in general, not to the predicament of female corporate drudges in particular. Invariably, the job that features in articles like Andrews’s is soul-sucking, pointless and therefore presumed to have been chosen solely for the prestige it confers (although... See more
Becca Rothfeld • Women’s Work | The Point Magazine
feminism and
You must go down into the world of mortals like a ray of light, like a shower of refreshing rain; you must illuminate it like Apollo, shake it to its depths and give it a new life like Zeus, otherwise you are not worthy of your heaven.
Alan Cardew • Lord Byron: The Perils and Glories of a Classical Education
Romantic History and
Hölderlin, Held.
What makes a Shor work identifiable? According to some musicians, it is the mismatch between the rudimentary craftsmanship of the compositions and the skill with which those same compositions have been performed.
Andrew Trovato, an American composer who uses elements of tonality in his works, said that “the high level of playing masks the... See more
Andrew Trovato, an American composer who uses elements of tonality in his works, said that “the high level of playing masks the... See more
Welcome to Shorworld
Music Criticism and
Rather than detecting AI music after it spreads, some companies are building tools to tag it from the moment it’s made. Vermillio and Musical AI are developing systems to scan finished tracks for synthetic elements and automatically tag them in the metadata.
The music industry is building the tech to hunt down AI songs
music and music streaming
“Attribution shouldn’t start when the song is done — it should start when the model starts learning,” says Sean Power, the company’s cofounder. “We’re trying to quantify creative influence, not just catch copies.”
The music industry is building the tech to hunt down AI songs
music streaming and
State of the Arts and music streaming
“Today musicians only keep 8% of streaming revenues, but AI will squeeze them further. Four years from now, musicians will only receive 6.4% of streaming revenues (Source: CISAC).” | Source
The changeover has been absolutely stark, and it’s accelerating. Many of my sources in the competition policy world are giving me the same message, which is that this is the most extraordinary month they have ever seen in antitrust.
There are the big fights, the cases against Google and Amazon, the suits against private equity and meat... See more
There are the big fights, the cases against Google and Amazon, the suits against private equity and meat... See more
Matt Stoller • "Never Seen Anything Like It:" The Biggest Month in Antitrust in 50 Years
It’s hard to talk about “masterpieces” because the concept trades on a theory of aesthetics that is controversial when spelled out (aesthetic value realism; maybe even a kind of Platonism about beauty) and difficult to defend, but which we all nevertheless subscribe to intuitively.
The Cultural Decline of Literary Fiction
culture and
“Built on a foundation of artist-centric principles, Streaming 2.0 will represent a new age of innovation, consumer segmentation, geographic expansion, greater consumer value and ARPU growth,” writes Grainge in today’s letter.
Murray Stassen • Read Sir Lucian Grainge’s 2025 memo to Universal Music Group staff: ‘Streaming 2.0 will represent a new age of innovation, consumer segmentation, geographic expansion, greater consumer value and ARPU growth.’...
music and