In 1926, the year before The Jazz Singer popularized pre-recorded sound to cinema, theater pits employed 22,000 musicians in the United States; by 1934, there were only 4,100. Fewer musicians’ salaries meant lower ticket prices and more daily showings, and attendance almost doubled. New York City’s Local 802 organized picket lines outside theaters... See more
Like a town built around a mine, an entire ecology has sprung up around the seemingly inexhaustible resources of Kononenko’s fortune and Ishkhanov’s energy as an organizer. That ecology is Shorworld: a labyrinthine network that intersects with the mainstream classical music industry while duplicating many of its structures. And though the... See more
One thing I’ve also noticed is the gradual loss of the understanding of “imagination” as a category; it can sound a little Reading Rainbow to talk about, but wouldn’t you know imagination is actually an essential part of the human condition. In so far as the words “spirit” or “spirituality” mean anything beyond woo-woo or cliché they must include... See more
Astonishment is lost but can be found again. Shoshana Zuboff, The Age of Surveillance Capitalism.
To me, the significance of the theory is its introduction of a coherent frame by which we can better understand root causes for the complex array of global catastrophic risks and the prevailing crises that humanity currently faces. Critically, the Metacrisis theory also calls to our attention a staggering hidden premonition: our civilization... See more
“Attribution shouldn’t start when the song is done — it should start when the model starts learning,” says Sean Power, the company’s cofounder. “We’re trying to quantify creative influence, not just catch copies.”