Faith Hahn
@onefaithlove
Faith Hahn
“As humans we are involved in a dance with things that cannot be stopped, since we are only human through things,” says Hodder. We will continue to perform lifestyles made possible by the Internet whether individual social media platforms survive or not, and even, especially, if we log off for good. Social media altered the world in the same way... See more
Daisy Alioto • What Is Lifestyle?
If the Tech Right sees this fight as the inevitable march of progress, the Populist Right is writing an entirely different anthem. Nowhere is this more visible than in Tennessee, where Governor Bill Lee signed the ELVIS Act, a landmark law recognizing an artist’s voice and likeness as a protected property right, specifically to block unauthorized... See more
AI and
The redemption arc, in clumsy hands, becomes cheesy and unbelievable, offending good taste more often than not. Granted. But literature has, in the past, found ways to handle this sort of plot delicately, and to great effect. After all, the question of how a person changes ought to absolutely possess a novelist – as a matter of philosophical... See more
The Lost Redemption Arc
RIP Gawker and
“There’s no way to make these systems without human labor at the level of informing the ground truth of the data — reinforcement learning with human feedback, which again is just kind of tech-washing precarious human labor. It’s thousands and thousands of workers paid very little, though en masse it’s very expensive, and there’s no other way to... See more
Devin Coldewey • Signal's Meredith Whittaker: AI is fundamentally 'a surveillance technology' | TechCrunch
Big Tech and
Whatever initial appeal this argument has, it owes to the unpleasantness of corporate drudgery in general, not to the predicament of female corporate drudges in particular. Invariably, the job that features in articles like Andrews’s is soul-sucking, pointless and therefore presumed to have been chosen solely for the prestige it confers (although... See more
Becca Rothfeld • Women’s Work | The Point Magazine
feminism and
While changes to a market are expected as it evolves, the interconnectedness of music streaming means that impacts are felt throughout the entire ecosystem. This is to say that there is a responsibility for all parties concerned to transparently engage in wider consultation before such impactful decisions are made. There is a shared responsibility... See more
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
music streaming and
Almost anyone can tell you the cost of living has increased between the onset of the pandemic and today. Implying anything else is, as my younger colleagues would say, legit gaslighting, or at least missing the point. Now, in recent months, headline after headline proclaims “inflation has cooled.” But does that mean we are out of the water?
This... See more
This... See more
Rachdele • the inflation era: winners and losers
Economy and
What Does Music Mean to Spotify? An Essay on Musical Significance in the Era of Digital Curation
Asher T Chodosacademia.edu
music streaming and
Abstract: The growing field of “critical algorithm studies” often addresses the cultural consequences of machine learning, but it has ignored music. Te result is that we inhabit a musical culture intimately bound up with various forms of algorithmic mediation, personalization, and “surveillance capitalism” that has largely escaped critical attention. But the issue of algorithmic mediation in music should matter to us, if music matters to us at all. This article lays the groundwork for such critical attention by looking at one major musical application of machine learning: Spotify’s automated music recommendation system. In particular, it takes for granted that any musical recommendation – whether made by a person or an algorithm – must necessarily imply a tacit theory of musical meaning. In the case of Spotify, we can make certain claims about that theory, but there are also limits to what we can know about it. Both things – the deductions and the limitations – prove valuable for a critique of automated music curation in general."