Faith Hahn
@onefaithlove
Faith Hahn
Yet what they best represent is the current state of art, where artists must skillfully package themselves as products for buyers to consume.
It’s precisely the kind of work that is uncomfortable for most artists, who by definition concern themselves with what it means to be a person in the world, not what it means to be a brand.
It’s precisely the kind of work that is uncomfortable for most artists, who by definition concern themselves with what it means to be a person in the world, not what it means to be a brand.
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
What Does Music Mean to Spotify? An Essay on Musical Significance in the Era of Digital Curation
Asher T Chodosacademia.edu
music streaming and
Abstract: The growing field of “critical algorithm studies” often addresses the cultural consequences of machine learning, but it has ignored music. Te result is that we inhabit a musical culture intimately bound up with various forms of algorithmic mediation, personalization, and “surveillance capitalism” that has largely escaped critical attention. But the issue of algorithmic mediation in music should matter to us, if music matters to us at all. This article lays the groundwork for such critical attention by looking at one major musical application of machine learning: Spotify’s automated music recommendation system. In particular, it takes for granted that any musical recommendation – whether made by a person or an algorithm – must necessarily imply a tacit theory of musical meaning. In the case of Spotify, we can make certain claims about that theory, but there are also limits to what we can know about it. Both things – the deductions and the limitations – prove valuable for a critique of automated music curation in general."
And “indie,” in the current day, doesn’t necessarily mean “small”: the big-tent Beggars Group (4AD, Matador, Rough Trade, XL, and Young Turks) is inarguably a major business. North Carolina’s Merge Records has had multiple Billboard top tens, and is distributed by a NASDAQ-listed public company that counts among other clients Walmart, Target,... See more
Worker’s Song | Franz Nicolay
music streaming and
To prevent a future where cultural output is shaped by economic power alone, this report calls on digital services, rightsholders, regulators, and policymakers to take shared responsibility for ensuring that the streaming ecosystem supports innovation, inclusivity, and sustainable growth .
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
The Manfield amendments were a huge blow to Project Whorl. Panic set in among the Trustees as they scheduled urgent meetings with top officials from the Nixon administration, including the president himself. Out of those meetings came a brilliant idea. The Gang of Eight has to be briefed on all special access programs, even those that are waived... See more
Condorman • A Conceptual View of a UAP Reverse Engineering Program
UAP and
“Because over-the-air transmission by broadcast radio stations falls outside the definition of ‘digital audio transmission,’ radio stations do not need to pay royalties to the performers, record labels, or other owners of the sound-recording copyright to publicly perform a sound recording.”
Music has emerged as private equity's recession-resistant darling, thanks to streaming's predictable revenue patterns and live entertainment's remarkable post-pandemic resilience.
Music tech ownership ouroboros, 2025 edition
The most prominent recent victory for organized musicians was 2018’s Music Modernization Act, which, among other things, established mechanical royalties for streaming, based on a “grand bargain” offering streaming services indemnity from infringement lawsuits in exchange for royalties. The MMA was sponsored by conservative Republicans Bob... See more
Worker’s Song | Franz Nicolay
music streaming and