Even if, for a while, I feigned hatred of rock and roll, that only made sense on the presumption of its continued reign. Much the same could be said about liberal democracy. Today, American global hegemony looks like nothing more than a desperate reprisal of a role that must be ceded sooner or later; gone is the possibility of taking it for granted... See more
What if that user base was steadfastly fixed to their own platform? If we could build a unified lobby of artists and fans, we would hold a much stronger hand in negotiation, and consequently may see more favorable deals negotiated in the use of sampled material and other roadblocks prior platforms have experienced. Legacy industry need association... See more
In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more
"The Future of Rock and Roll: 97WOXY and the Fight for True Independence," Robin James, and "Chokepoint Capitalism," Rebecca Giblin and Cory Doctorow.
Twitter is packed with thinkbois writing threads about how to 100x your productivity with AI tools I bet they’ve never used. Here’s what the thinkbois won’t tell you: better tools are not the bottleneck to creating great work. A person focusing on one thing the antiquated way - pen and paper or whatever - will beat the tool optimizers any day. A... See more
373 / “This World is not Conclusion,” Emily Dickinson.
Major music rights holders and tech companies are now expected to generate profits for a dizzying array of stakeholders sitting outside of industry borders, including banks, private equity firms, big-tech conglomerates, and sovereign wealth funds — not to mention public retail investors.
There has been no central resource tracking these macro shifts... See more