The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
In seiner vollen Ausfaltung aber fährt er in überwältigender Wirkung, doch eben überhaupt nicht effektmacherisch in unser Ohr: so, als würden alle Töne der Welt, die bekanntlich im Nichtsklang stecken, auf einmal hörbar. Tausend Farben grellen uns da weiß an. Dieser schneidende Krach ist zugleich vollkommene Stille.
New technologies may be disruptive to the existing population of working musicians, but even more irresistible to the general public than new technology are new forms of music, which may introduce new classes of musicians who don’t fit neatly into the existing professional categories. Take the rise of rock and roll.
“Attribution shouldn’t start when the song is done — it should start when the model starts learning,” says Sean Power, the company’s cofounder. “We’re trying to quantify creative influence, not just catch copies.”
What we know for sure about the early alphabet’s background is linguistic and material. It is widely agreed that the early alphabet a) represents a West Semitic language ancestral to Hebrew, Arabic, and Aramaic; b) but based its signs on the Egyptian writing system, and c) was— as far as we know— not done by scribes or professional writers but... See more