Faith Hahn

This occurs across a competitive backdrop in the industry that has seen increased M&A activity, be that major labels acquiring indie labels and distributors, or catalogue acquisition. Heritage rights retain a premium, and market share is being bought, arguably, at the cost of investment in new, innovative music. Independent labels talk of it... See more

Active for over fifty years, Porphyrios caused great concern for Byzantine seafarers. Emperor Justinian I (r. 527–565) made it an important matter to capture it, though he could not come up with a way to do so.

The more upset I became, the more I felt that my sensitivity towards the paintings was the same sensitivity I held when I was the subject of the photographs. The uncomfortable, complex, and often difficult intimacy of the paintings characterizes their timeless humanity. The photograph of these paintings is just a collection of symbols, of words in... See more

Streaming sites have thus transformed into enterprises whose business is not limited to the sale of music-related services, but relies increasingly upon the collection, aggregation, and exchange of user data. A key issue this article pursues concerns the changing status of music within the commercial strategies of online streaming. While previous... See more

Old rights systems and remuneration struggle to keep up, and meanwhile, new creators keep creating, and audiences keep engaging. The wheel keeps turning in an explosion of creativity and growth, while legacy organisations wring their hands in confusion. Adaptation is made even more challenging by the fact that these new methods of consumption are,... See more

In this context, Kaija Saariaho’s very last musical work, a concerto for trumpet and orchestra under the title of HUSH (2022-23), stands apart as something knowingly conceived as finale – both in personal and professional terms – winding up (as far as such action is humanely conceivable) a cycle of solo concerti, an œuvre, a life.

There is currently a general lack of transparency around Discovery Mode . At the market level, it’s unclear who is engaging with the programme, whether the major rightsholders are using it or gain similar bene fi ts through other means, and how other interested parties are affected when it is utilised on a track. These concerns are compounded by... See more