Faith Hahn

In late 1970, Lockheed was near bankruptcy because of the large debt they had built up to fund the L-1011 Tristar commercial aircraft program. They approached the Nixon administration for a $250 million loan guarantee to avoid insolvency. That is about $1.9 billion in today’s dollars. Here was an opportunity to transfer the assets to a private... See more

Spotify has already learned that there’s no money to be made with exclusive rights to superstar offerings. “After pouring billions into podcasts and audiobooks to little effect,” explains tech journalist David Pierce, “it seems to have largely given up on the idea that exclusive content is the path to riches.”

The more profitable move is to... See more

In this context, Kaija Saariaho’s very last musical work, a concerto for trumpet and orchestra under the title of HUSH (2022-23), stands apart as something knowingly conceived as finale – both in personal and professional terms – winding up (as far as such action is humanely conceivable) a cycle of solo concerti, an œuvre, a life.

The dream of a Liberal (arts) education—which is the scaled, democratic form of the Keatsian ideal of negative capability—cannot hold up when liberalism itself is held to be suspect.

Hermeneutic labor is the burdensome activity of: understanding and coherently expressing one's own feelings, desires, intentions, and motivations; discerning those of others; and inventing solutions for relational issues arising from interpersonal tensions. I argue that hermeneutic labor disproportionately falls on women's shoulders in... See more

If Apple wanted to offer exclusive music, they would cut a deal with Taylor Swift. They have the cash to do it. They wouldn’t waste time on locking up Kalevi Aho. That’s so obvious I shouldn’t even have to say it, but (given all the smoke and mirrors here), I really do.

So we’re clearly dealing with the bad Apple here. And the fact that the company... See more

An ideal production of Freitag aus Licht would not be afraid to actively undermine the ideologies that underpin Stockhausen’s aesthetic vision. It would not shy away from denouncing and Evan ridiculing the composer and his nauseating beliefs. It would acknowledge and actively decry the opera’s racism while transforming its message from one of... See more

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

Her discovery may have been crucial to creating the atomic bomb, but she wanted nothing to do with it nor wanted to be depicted in films about it. And I believe Meitner’s refusal to participate in the weaponization of her work on moral grounds makes her more worthy of commemoration than Oppenheimer. She chose humanity over notoriety.