The story, Kelley writes, is “the tale of what happens when working-class consumption of popular culture overrides the interests or concerns of popular culture workers . . . a story about the limits of solidarity . . . [set by] consumers whose own self-interest may actually clash with the demands of laboring artists.”
Every human death feels unnatural. Even the peaceful passing of elderly relatives who’ve lived rich lives and completed the full circuit of experiences we all feel entitled to—work, marriage, children, vacations, holidays—are attended by a grief so massive that it slips our processes of rational cognition. It hits us obliquely, and never... See more
Alina Stefanescu's personal library of writing, essays, literary criticism.
Esarhaddon selected Ashurbanipal as heir c. 673. The selection of Ashurbanipal bypassed the elder son Shamash-shum-ukin. Perhaps in order to avoid future rivalry, Esarhaddon designated Shamash-shum-ukin as the heir to Babylonia. The two brothers jointly acceded to their respective thrones after Esarhaddon's death in 669, though Shamash-shum-ukin... See more
What makes a Shor work identifiable? According to some musicians, it is the mismatch between the rudimentary craftsmanship of the compositions and the skill with which those same compositions have been performed.
Andrew Trovato, an American composer who uses elements of tonality in his works, said that “the high level of playing masks the... See more
I don’t want to pretend like I’m too good for ugliness, for effort, when I know very well that it’s the price that unlocks everything beautiful in the world.
On both days, the extraordinary beauty of the flame arising from the funeral pile was noticed. The weather was beautifully fine. The Mediterranean, now soft and lucid, kissed the shore as if to make peace with it. The yellow sand and blue sky intensely contrasted with one another: marble mountains touched the air with coolness, and the flame of the... See more