Faith Hahn

At a time when cultural homogenisation is on the rise, where generative AI is increasingly putting innovative creativity in competition with mass derivation, we risk a future where music diversity is also being actively commercially suppressed. The introduction of thresholds, especially where they de-monetise repertoire , but also where they apply... See more

In-spire: breathing in, breathing out, huffing from the sense that there is more to life than materialism (nihilistic metaphysics), utilitarianism (nihilistic ethics), and small-talk (nihilistic speech).

if you drive through Culver City you will see billboards for Amazon movies everywhere. Why? Because the directors who come to the studio lot to take a meeting there to make a movie, they drive there and they’re like, ‘Oh they’re marketing my movie.’ But they’re not.”

“The writing of the pose is the literary product of the MFA system and of Instagram in equal measure—it brings writing into the ordinary grueling business of the curation of the self which dominates advanced capitalist culture today.”

They call this knot of stars a Weaving Girl

whose golden needle tears the dark apart.

Di rigori armato il seno (‘With my breast armed with severity’—these words were lifted in their entirety by Strauss from the concluding ballet of Le Bourgeois Gentilhomme (Molière, 1670) for which Lully wrote the music).

But like Bernstein, Viardot — born exactly 200 years ago, on July 18, 1821 — was far more than a Zelig. One of the supreme singers of her time, she was also a prolific composer, whose music is slowly being salvaged from obscurity; a savvy entrepreneur; a gifted visual artist; and a highly respected voice teacher.