Literary texts tend to distort the linearity of narrative sequence, and to reproduce the coexistence and simultaneity of interiorized events that resist conventional linear chronology. The narrative thread unravels freely between past and present, between different temporal planes, combining high and low registers, erudite literary references,... See more
A reading revolution is taking place on this notorious message board, most famous for alt-right memes, anything-goes chatter, and large-scale coordinated pranks (several hoax bomb threats organised by the site have led to arrests and mass evacuations). Users operate under total anonymity and are subject to bare-bones moderation. Most of the... See more
That morning at the lab, Karikó’s old boss had come to see her off. She did not tell him what a terrible mistake he was making in letting her leave. She didn’t gloat about her future at BioNTech, a pharmaceuticals firm that millions now associate with lifesaving vaccines but was then a relative upstart in the field. Instead the woman who had... See more
The major labels are finally facing a crucial reality: Independent music's market share keeps climbing, and controlling the infrastructure behind it is becoming as vital as owning rights.
Universal Music Group's Virgin Music Group led this charge in 2024 — snapping up Downtown Music Holdings in a $775M power move (pending regulatory approval), as... See more
What makes a Shor work identifiable? According to some musicians, it is the mismatch between the rudimentary craftsmanship of the compositions and the skill with which those same compositions have been performed.
Andrew Trovato, an American composer who uses elements of tonality in his works, said that “the high level of playing masks the... See more
Riveting. Glorious. Soloist Verneri Pohjola is both virtuosic and agonizingly human. What a premiere for Kaija Saariaho's final composition. May she rest in peace: https://areena.yle.fi/1-66089818
To be honest, my appetite for this sort of online blowup diminishes hourly. Though I’m as prone to schadenfreude as any other media professional trying to hold onto relevance in an increasingly winner-take-all economy, there’s something about watching extremely online people have noisy meltdowns that makes me feel like I’m inhaling my own body... See more