Shuya Gong
@ohmygong
Shuya Gong
Designing for Feel: Feel is not something we talk much about as digital product designers. It’s difficult to quantify in metrics or even describe in words, so it tends to fall to the bottom of a priority list. But we know it’s important. [...] The industrial designers talked about contours that felt gratifying in the hand and actions that provided... See more
(Not Boring) Software Inc. • The World's Most Satisfying Checkbox
Quality software deserves your hard‑earned cash
Quality software from independent makers is like quality food from the farmer’s market. A jar of handmade organic jam is not the same as mass-produced corn syrup-laden jam from the supermarket.
Industrial fruit jam is filled with cheap... See more
We experience the externalities of the attention economy in little drips, so we tend to describe them with words of mild bemusement like “annoying” or “distracting.” But this is a grave misreading of their nature. In the short term, distractions can keep us from doing the things we want to do. In the longer term, however, they can accumulate and... See more
Jenny Odell • How to Do Nothing: Resisting the Attention Economy
you actually don't need everyone to understand you or what you do and you're probably working on something too safe if they all easily do. your knowing you don’t need them to understand is also exactly what makes them want to
Molly Mielketwitter.com
A “Grooving Area” is essential.
instagram.comIntention Catalog and Internet Hallways
Grooving areas.
Occupying the “third space” withing the attention economy is important not just because, as I’ve argued, individual attention forms the basis for collective attention and thus for meaningful refusal of all kinds. It is also important because in a time of shrinking margins, when not only students but everyone else has “put the pedal to the metal,” and cannot afford other kinds of refusal, attention may be the last resource we have left to withdraw. In a cycle where both financially driven platforms and overall precarity close down the space of attention—the very attention need to resist this onslaught, which them pushes further—it may be only in the space of our own minds that some of us can begin to pull apart the links.
Jenny Odell, How to Do Nothing
Astrophysicist Neil deGrasse Tyson has a beautiful explanation as to why Van Gogh’s masterpiece has resonated for over a century.
“You know what I like about The Starry Night?
It’s not what Van Gogh saw that night, it’s what he felt.
[The painting] is not a representation of reality and anything that deviates from is reality that has filtered through... See more
“You know what I like about The Starry Night?
It’s not what Van Gogh saw that night, it’s what he felt.
[The painting] is not a representation of reality and anything that deviates from is reality that has filtered through... See more
I’ve come to think of software applications as a form of digital architecture: some are places of concentration, others of collaboration, others clearly just for fun. Software’s emotional dimension is crucial: how it feels dictates how it’s used. (Architects hire environmental psychologists; tech companies hire user-experience researchers.)... See more