MK
@mkay
MK
Here we see a really pivotal moment of change, when art must become something that does not make people uncomfortable, so that they will spend money. The kind of person who is expected to consume art is transformed in the mind of the producer. The people who might very possibly love being expanded by what they see are never given the chance.
... See moreSarah Schulman • The Gentrification of the Mind
Yet, the final component of the streaming ecosystem — artists and their teams — are still pretty much where they were in 2010 regarding algorithmic optimization. Today, most algorithmic strategies follow a kind of "throw spaghetti at a wall and see what sticks" approach: make sure that the metadata you provide to DSPs is as complete and accurate as... See more
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
Music NFTs and
It’s become something of a sport to unearth these sorts of replies, the ones where strangers make willfully decontextualized moral judgments on other people’s lives. We give these people and these kinds of conversations names: “chronically online” or “terminally online,” implying that too much exposure to too many people’s weird ideas makes us all
... See moreVox • Every "chronically online" conversation is the same
Cultural production is ever more finely attuned to attention, which is ever more pervasively measured and monetized. Commerce and culture are locked in an ever-tighter embrace.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
It’s never felt more plausible that the age of social media might end—and soon.
Social media was never a natural way to work, play, and socialize, though it did become second nature.
The shift began 20 years ago or so, when networked computers became sufficiently ubiquitous that people began using them to build and manage relationships. Social
... See more