linda

challenge all the ways we are influenced to rush our composition, to push against capitalism’s engine insisting a kind of efficient production of creative works. Instead, how can we, as writers, contest the urge to produce at real or imagined external timelines?

Most people stop at consumption. This has always been the case, and will continue to be the case forever and ever, Amen. This makes sense, as it requires the least amount of effort. But the evolution of algorithmic and hyperpersonal content makes moving beyond consumption even more challenging. If I already enjoy the content I’m being served, why w... See more

Michelle Boulous Walker, in her book, Slow Philosophy , equates the slow as a beginning way of thinking toward complexity, a passion with the world that can determine a kind of responsibility. Walker argues for a kind of dwelling in order to innovate.

Being a creative means embracing the urge to put more of yourself—your identity, personality, and unique way of seeing—into the world, whether it be the way you make your breakfast in the morning or your trick for getting through your morning commute, or the themes that keep coming up among the thousands of photos in your camera roll. When we confo... See more

I think that every writer should have a question they can ask that there is no end to the pursuit of. Every writer should have questions big enough and pressing enough and multi-faceted enough and unanswerable enough that they occupy their entire life, however long or short it is