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In my past experiences publishing, I sought public success assuming it would lead to feelings of private satisfaction. It’s only now, observing this expectation clearly for the first time, that I can see how misguided this was.

In this experiment I took the agency and time to define success. It wasn't an open-ended search for approval. The goal was to express an idea, its full context, and for them to be seen and understood. That has happened, adding up to maybe the most enjoyable publishing experience of my writing life to date. Those 250 collectors satisfied my entire Maslow’s hierarchy of writerly needs with their support.

In my conversation with Crowley, we discuss his latest startups, convergence of new technologies, and what it means for the future. We get into a conversation about AI, our children, and entrepreneurship. He talks about attempting to make sense of it all while staying true to his original mission: building things that help people better experience the world around them.

Subvert the status quo. Own a website. Make and share links.

If Japan truly were a minimalist paradise, why would it need Kondos and Sasakis in the first place?

The world still turns to Japan for things; it also turns to Japan to rid itself of them. There’s only one problem: Japan isn’t anywhere near as tidy as outside observers give it credit for.

Subtractive is contemplative; additive is stimulating. But, above all, the Japanese are master ‘editors’, he says, picking and choosing between polar opposites to suit the occasion. This is why Japanese people continue to remove their shoes indoors, even as they choose to live in Western-style houses. It’s why they continue to distinguish between Japanese-style and Western-style foods, hotels, even toilets. To Matsuoka, the subtractive and additive approaches aren’t inherently in opposition; the distinction is simply a matter of context.

‘Today, the idea that you’ll hold on to a lot of things for your whole life is fading,’ said Tsuzuki. ‘Take clothing. It used to be the case that good clothes cost a lot. You’d buy them and take care of them and wear for years. So you’d naturally build up a collection. But now we’re surrounded by low-cost retailers that are just good enough. You wear it for a season and that’s it.’