Keely Adler

Our job as activists is to have good ideas lying around, so that when the crisis occurs, the impossible can become the inevitable. The good news and the bad news is that here in the digital 21st century, we are really living through a great surplus of crisis. And in that world of crisis, there are so many opportunities for us to demand something

“Humans are not meant to keep exact time,” the Native poet Sandra Ball once said. “We are meant to live within the confines of seasons, light and dark, and our own body’s rhythms, which are not the same from day to day or from year to year.”

While many of the foregoing assertions seem to suggest that human explorations of the possible lead to a variety of positive outcomes, from personal to societal, we cannot underestimate the darker sides of this engagement. For example, the discourse of possibility can become a burden when normatively imposed

Some of the questions on the agenda for the participants to explore include "What is extinction and what are we losing? How do we understand loss and endings? How can an individual understand themselves in relation to a collective responsibility? What is the artist’s role in responding to mass extinction? What happens after the end has come and

Bennett’s musings have an ethical component: if a nuisance tree, or a dead tree, or a dead rat is my kin, then everything is kin—even a piece of trash. And I’m more likely to value things that are kindred to me, seeing them as notable and worthy in themselves