Keely Adler

When you choose whom to follow on Twitter, you’re choosing what types of mindsets and aesthetics to expose yourself to on a regular basis. You’re choosing what types of conversations to have. You’re choosing to be reminded regularly of certain things, and not of others. This is a kind of Programmable attention.

“What was some time ago dubbed (erroneously) ‘post-modernity’ and what I've chosen to call, more to the point, ‘liquid modernity,’” Bauman explained, “is the growing conviction that change is the only permanence, and uncertainty the only certainty.” This liquidity characterizes not only the functions of capital, the status of institutions, and the... See more

going back to that idea of awareness of algorithms, I think one thing that really separates people online generationally is the divide between who has really tried to create stuff online. The savviest older-generation users are usually people who work in media, and they are exposed to how online content is made and travels. It’s not that they can’t... See more

Futures where we move past tired promises of “freedom from”—from established institutions, from regulation, from responsibility—and towards the shared capacity for building “freedom to”—to create, to learn, to struggle, to strengthen collective institutions, to ensure shared security.

What could happen if we replaced the philosophy of rugged individualism with a philosophy of rugged cooperation? What if we swapped out the scripts we’ve learned in an individualist culture with the curiosity and care of a collaborative culture?

destabilization of the self as its anchors in material culture slip.

performative design. Performative design ultimately reduces the practice of design from a wide range of creative, psychological, communication, and problem-solving skills to a narrow practice focused on the reproduction of popular styles and interfaces for the sake of feeling like and being perceived as a skilled designer.”