Minsuk Kang 강민석

In order to fund unproductive departments, administrators and faculty at universities have created a new class of shareholder: donors. It may be a good thing, bringing some private sector accountability and common sense to an insular culture. When donors speak, the university may choose to listen, but when they “close their checkbooks,” as Rowan... See more

INTERVIEWER

Against whom were you measuring your work?

LE GUIN

Writers I’d have liked to be as good as, although not like ?

INTERVIEWER

Right.

LE GUIN

Charles Dickens. Jane Austen. And then, when I finally learned to read her, Virginia Woolf. Shoot for the top, always. You know you’ll never make it, but what’s the fun if you don’t shoot for the top?

Having discovered the curious effect of composing in a foreign language, thereby acquiring a creative rhythm distinctly my own, I returned my Olivetti to the closet and once more pulled out my sheaf of manuscript paper and my fountain pen. Then I sat down and “translated” the chapter or so that I had written in English into Japanese. Well,... See more

Perhaps the oldest and most fundamental question that I wish to examine in the course of this semester is the question: what is a regime? What are regimes? What are regime politics? The term "regime" is a familiar one. We often hear today about shaping regimes or about changing regimes, but what is a regime? How many kinds are there? How are they... See more

"Always produce" is also a heuristic for finding the work you love. If you subject yourself to that constraint, it will automatically push you away from things you think you're supposed to work on, toward things you actually like. "Always produce" will discover your life's work the way water, with the aid of gravity, finds the hole in your roof.

If people can't think clearly about anything that has become part of their identity, then all other things being equal, the best plan is to let as few things into your identity as possible.