Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
It’s not just that creators use the internet
It’s that they were raised by it.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
The Entire Hollywood System Explained in Tech Terms
It’s not just that creators use the internet
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand momentum.
They’ve already absorbed the logic of bottom-up SaaS, intuitively.
This is why the next great storytellers won’t come from film school.
They’ll come from YouTube, Discord, & Substack
All thats missing is proper infrastructure.
IP as Platform
dougshapiro.medium.com
BEAR If you think about it, it was like we were workshopping instantly. We were getting live feedback in real time for people that would be coming to the show or buying the album.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
If you can set up a system where anyone can publish anything, and dynamically allocate more resources to the ideas that seem most promising, you're much more likely to produce a lot of surprisingly awesome output. This is important for reasons deeper than just "people are bad at predicting success"—I think there's something about surprise that... See more
Every • Recursive Publishing
On Sunday, with about six years of musical-theater writing experience between the two of them, the Gen Z songwriting duo beat out a list of powerhouse Grammy nominees that included Andrew Lloyd Webber’s “Cinderella”; Conor McPherson’s “Girl From the North Country,” built around Bob Dylan songs; and a Stephen Schwartz musical.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
On the surface, this article is about neural networks and the beginnings of AI, but I actually think it's invaluable insight into capitalism, scarcity, the psychology of valuations and maybe a little rich people foolishness.
Wired • The Secret Auction that Set Off the Race for AI Supremacy
When the lyricist-composer duo behind “The Unofficial Bridgerton Musical” stepped onstage Sunday to accept their Grammy for best musical theater album, the list of people they wanted to thank did not start with a record label or producer, but with their social media followers.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
