Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
In order to imagine where the future is headed, let’s first lay out the three main steps of connection building to examine how the physical and digital worlds fare at each:
- Discovery : you find someone you want to meet, or that person finds you
- Connection : some initial contact is established
- Connection strengthening : further interactions
Joey DeBruin • The digital flip
BEAR If you think about it, it was like we were workshopping instantly. We were getting live feedback in real time for people that would be coming to the show or buying the album.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
As it turns out, the constrained opportunity of the Creator Economy hasn’t lived up to its sky-high expectations. As many creators quickly learned, finding 1,000 true fans is something very few people are actually able to do. Most creators can’t break through platforms’ algorithms. Most creators are not marketing experts. Most creators are not... See more
Fast Company • fastcompany.com
The next generation of successful labels will be brands. Their artists will fit together cohesively and the label will have a perspective on what art represents the brand. Real people...
linkedin.com
The Platforms Are Turning YouTube Into A Farm System For Audience Loops and Habitual Attention... BLUF: Netflix signed Salish and Jordan Matter (a YouTube-first family creator duo with 37M+… |...
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Live Digital and
Everyone blames Spotify for low payouts. Nobody blames the income streams most artists don't even know exist. Here's where the real money hides. What if the gap between struggling and...
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Copy. Composition. Master. Royalties. PRO. Sync.
The pair started building what would ultimately amount to a 15-song album that includes an amorous duet between the show’s leading couple, a comedic solo for the show’s nonconformist tomboy and an opening number that they wrote with a lavishly dressed Broadway ensemble flitting around the stage in their heads.