Jessica Ryan
@jessicaryan
Piratical pioneer of experiences live on the Internet (circa 2013) // CEO Broadway Unlocked, your friendly theatre on the internet // Indefatigable advocate for arts
Jessica Ryan
watch.broadwayunlocked.com
... But now that we’re in this position and know that we have this power, what do we do with it? We already know what we can do for the stories and characters we love: #BlackHeroesMatter, the aforementioned #RallyForRose, Sense8 fans fought for a conclusion to one of the most queer and diverse SciFi TV shows ever, and were rewarded with a two-hour... See more
Shawn Taylor • We the Fans: How Our Powers Can Change the World - Pop Culture Collaborative
We the Fans: How Our Powers Can Change the World - Pop Culture Collaborative
Deanna Zandtpopcollab.org
Future of Fandom and
Do you think you’ll continue that way of doing things now that you have this institutional approval?BARLOW We’d love to, but we have some exciting projects after “Bridgerton” gave us a foot in the door and we still have to keep it hush-hush.BEAR Which is totally against our M.O., and it’s a little frustrating because, as we’re writing this music,... See more
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
Short-form is critical for building audience, but long-form is critical for building engagement. In the context of today’s revenue share formulas and sponsorship models, high-quality fan engagement will be the key to long-term success as the industry continues to evolve.
The TikTok videos gained approval from Julia Quinn, the author of the “Bridgerton” books that inspired the TV series; the cast members of the show; and Netflix, which gave Barlow and Bear’s lawyers the green light for them to make their songs into an album, the duo said.
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
ATG Entertainment, which has a long-term lease on the Lyric, has collected more than $34 million in rent on Broadway from Cursed Child. In the year ending in February 2025, rent consumed nearly 11% of box office sales. To be sure, ATG has its own real estate expenses. In 2013, it paid $64 million for the lease to the Lyric, and later spent millions more on Cursed Child renovations.
How this Tony-award winning production company is recouping its investments in an industry where it's rare to break even
fastcompany.com
over 90% of Broadway shows were written within 50 miles of Manhattan
The pair started building what would ultimately amount to a 15-song album that includes an amorous duet between the show’s leading couple, a comedic solo for the show’s nonconformist tomboy and an opening number that they wrote with a lavishly dressed Broadway ensemble flitting around the stage in their heads.