Isabelle Levent

The issue here does not concern how many jobs will be created, how much income generated, how many pollutants added... Rather, the issue has to do with the ways in which choices about technology have important consequences for the form and quality of human associations.

If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?

A lot of the famous artists who use the platform, they’re all saying the same thing, and it’s really interesting. They say, “I feel like Midjourney is an art student, and it has its own style, and when you invoke my name to create an image, it’s like asking an art student to make something inspired by my art. And generally, as an artist, I want

A couple participants found success using the chatbot as a convenient search engine alternative (KL, WT). KL wrote: “It’s kind of great to use the chat interface and treat LaMDA as a thesaurus, quote finder, and general research assistant.”

Academically, this is a collision of everything from computer science and art history to media studies to disruptive innovation to labor economics, and no one of these disciplines seems sufficient to cover the topic. 

If I have an idea for a novel, but the computer writes most of it, is it still my story? This question will not be answered with numbers about how many words I or the computer wrote. It’s going to be answered culturally; it’s going to be a feeling we have about where authenticity or truth really lies.