Isabelle Levent

Instead, I’d like us to ask: in whose voice do our machines write? What voices do they obfuscate? Where do their words come from? In short, I’d like us to ask questions about power, and the ways in which it functions through and around language. 

Whatever the size of the space, someone who comes up with a new idea within that thinking-style is being creative in the second, exploratory, sense. If the new idea is surprising not just in itself but as an example of an unexpected general  type , so much the better.

For a computer to make a subtle combinational joke, never mind to assess its tastefulness, would require, first, a data-base with a richness comparable to ours, and, second, methods of link-making (and link-evaluating) comparable in subtlety with ours. 

My lesson from these two examples is that it might be possible to make prompting “invisible” by making it part of the UI, and finetuning output for as much of the writer’s context as possible to make it more useful. Latency matters, and cost matters, which are wonderful because these tend to be “regular engineering” type problems rather than AI

“Our business has never been about the ease of creating imagery or the resulting volume. It is about connecting and cutting through.”

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

The Lab’s primary focus is on the ways in which artists and designers are adopting, adapting and remaking AI processes, building their own datasets and reaching into the ‘grey box’ of AI technologies. 

There are a couple reasons why Wordcraft may have struggled with style and voice... Another reason could have been limitations of the underlying model. LaMDA and other similar language models are trained to be most confident on the kind of text they see most often–typically internet data. However, professional creative writers are usually writing