Isabelle Levent

OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”

We find that models learn just as fast with many prompts that are intentionally irrelevant or even pathologically misleading as they do with instructively “good” prompts. Further, such patterns hold even for models as large as 175 billion parameters (Brown et al., 2020) as well as the recently proposed instruction-tuned models which are trained on

Creativity is the ability to come up with ideas or artefacts that are  new ,  surprising , and  valuable . 

The “story seeds” control allowed writers to experiment with using Wordcraft to generate ideas at the very beginning of the writing process. MT described the “story seeds” control as giving her “a place on my computer to go that looked like a blank page but did not behave as such.” E

The fact that adding keywords like  Let’s Think Step By Step , adding “Greg Rutkowski”, prompt weights, and even negative prompting are still so enormously effective, is a sign that we are nowhere close to perfecting the “language” part of “large language models”.

In particular, anthropomorphizing the AI system mitigates the responsibility to the artist, while bolstering the responsibility of the technologist. Critically, this suggests that the responsibility that will be allocated to individuals in the creation of AI art will be dependent on the choice of language and framing used to discuss it