Isabelle Levent
@isabellelevent
Isabelle Levent
This builds on a growing body of work that our ‘‘mind perception’’ (which manifests as inferences of intentions, beliefs, and values) meaningfully varies across individuals and shapes our moral judgments
Sydney Levine • Who gets credit for AI-generated art? – MIT Media Lab
Tech Ethics and
If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?
Olu • Is using Lensa art theft? | The ethics of AI generated art
A recurring theme in participant feedback was that the language model lacked taste and intentionality...In contrast, good writers are skilled not only in producing but also discerning good language. In other words, they have taste, the ability to decide why one sentence is interesting while another is not.
Daphne Ippolito • Creative Writing with an AI-Powered Writing Assistant: Perspectives from Professional Writers
Whereas if you put them in a group, they’ll go “dog” and someone else will go “space dog” and someone else will go “Aztec space dog,” and then all of a sudden, people understand the possibilities, and you’re creating this augmented imagination — an environment where people can learn and play with this new capacity. So we found that people really
... See moreThe Verge • “An engine for the imagination”: an interview with David Holz, CEO of AI image generator Midjourney
What do you do when you know that the environment is going to change but you want to have other members of your species that are reasonably well aligned? Caregiving is one of the things that we do to make that happen. Every time we raise a new generation of children, we’re faced with this difficulty of
here are these intelligences, they’re new,... See more
here are these intelligences, they’re new,... See more
Julien Crockett • How to Raise Your Artificial Intelligence: A Conversation With Alison Gopnik and Melanie Mitchell
Academically, this is a collision of everything from computer science and art history to media studies to disruptive innovation to labor economics, and no one of these disciplines seems sufficient to cover the topic.
Aaron Hertzmann • When Machines Change Art
OpenAI, which has been accused by its peers of releasing tools to the public with reckless speed, is particularly good at designing interfaces for its models that feel like magic. “It’s a conscious design imperative to produce these moments of shock and awe,” Crawford says. “We’re going to keep having those moments of enchantment.”