Isabelle Levent

Whereas if you put them in a group, they’ll go “dog” and someone else will go “space dog” and someone else will go “Aztec space dog,” and then all of a sudden, people understand the possibilities, and you’re creating this augmented imagination — an environment where people can learn and play with this new capacity. So we found that people really li

As more artists gain access to AI and take up the tools, artists will have a whole new look — both how they look making art and how their art develops.

Crawford elaborated in an interview. “When you have this enchanted determinism, you say, we can’t possibly understand this. And we can’t possibly regulate it when it’s clearly so unknown and such a black box,” she says. “And that’s a trap.”

This is posing questions to writers everywhere: Which parts of writing are so tedious you’d be happy to see them go? Which parts bring you the inexplicable joy of creating something from nothing? And what is it about writing you hold most dear? 

If it was possible to deduce how much of an influence each individual image has on the final outcome (and the owner of each image was known and labelled, which I currently doubt happens), would it be simple to compensate people then?

The fact that adding keywords like  Let’s Think Step By Step , adding “Greg Rutkowski”, prompt weights, and even negative prompting are still so enormously effective, is a sign that we are nowhere close to perfecting the “language” part of “large language models”.

If I have an idea for a novel, but the computer writes most of it, is it still my story? This question will not be answered with numbers about how many words I or the computer wrote. It’s going to be answered culturally; it’s going to be a feeling we have about where authenticity or truth really lies.