The Great Pottery Throw Down  is a British television competition programme first broadcast on  BBC Two  from 3 November 2015. It is a contest in the style of  The Great British Bake Off  and  The Great British Sewing Bee , but with  pottery .

A podcast about community ceramics and clay as a force for good. Clay Commons is a six-part podcast hosted by artist and educator Eva Masterman, co-produced by AiAi Studios. Each episode presents conversations with teachers, artists, activists and community leaders, all using clay as a tool to build community. Focusing on the UK and America, Clay

Craft is contemporary because it is progressive, because creating things by hand yourself proposes an alternative microeconomic of local making, a system of exchange more akin to bartering with its emphasis on trade and tactile connections to supply-and-demand. It is environmentally conscious and respectful of the earth's diminishing resources. Cra

Craft is contemporary because it importantly maintains its tactile, bodily component in the face of computer technology. It connects people in the flesh and provides a much-needed alternative to the incessant push of digital interfaces, mediatization, and screen culture. Current stitch-and-bitch circles or knitting groups provide a respite from onl

British cultural policy has been hindered by decades of protectionist infighting between opposing special interests (Hewison 1995). Instead we need a more balanced under- standing of the role and worth of the arts in our society – one which simultaneously embraces their aesthetic, cultural, economic and social values, and allows for the differ- ent

Bringing people together: Almost without exception, the projects studied have made a significant contribution to bringing people together. At a simple level, more than nine out of ten respondents made new friends as a result of their involvement. This is such an ordinary outcome of participating in the arts that it can easily be underestimated: ma

Participatory arts projects can also be empowering, and help people gain con- trol over their lives – sometimes, as with Acting Up’s work with severely disabled peo- ple, in a very practical sense. They can also play a vital role in the regeneration process, facilitating consultation and partnership between residents and public agencies. Arts proje

Craft is contemporary because it is queer,  with its nelly yarn bombers and wild cross-stich faggotry and dykes who throw pots . Craft's queerness keys into interlocking discourses of pleasure, shame, disappointment, difficulty, exuberance, and community-building.